My soul had found
All happiness in its own cause or ground.
Godhead on Godhead in sexual spasm begot
Godhead. Some shadow fell. My soul forgot
Those amorous cries that out of quiet come
And must the common round of day resume.
When we are high and airy hundreds say
That if we hold that flight they'll leave the place,
While those same hundreds mock another day
Because we have made our art of common things.
Great literature has always been written in a like spirit, and is, indeed, the Forgiveness of Sin, and when we find it becoming the Accusation of Sin, as in George Eliot, who plucks her Tito in pieces with as much assurance as if he had been clockwork, literature has begun to change into something else.
Who dreamed that beauty passes like a dream?
For these red lips, with all their mournful pride,
Mournful that no new wonder may betide,
Troy passed away in one high funeral gleam,
And Usna's children died.
Because of something told under the famished horn
Of the hunter's moon, that hung between the night and the day,
To dream of women whose beauty was folded in dismay,
Even in an old story, is a burden not to be borne.
An age is the reversal of an age:
When strangers murdered Emmet, Fitzgerald, Tone,
We lived like men that watch a painted stage.
What matter for the scene, the scene once gone:
It had not touched our lives.
I hate journalists. There is nothing in them but tittering jeering emptiness. They have all made what Dante calls the Great Refusal. The shallowest people on the ridge of the earth.
Your hooves have stamped at the black margin of the wood,
Even where horrible green parrots call and swing.
My works are all stamped down into the sultry mud.
You ask what I have found and far and wide I go,
Nothing but Cromwell's house and Cromwell's murderous crew,
The lovers and the dancers are beaten into the clay,
And the tall men and the swordsmen and the horsemen where are they?
For those that love the world serve it in action, Grow rich, popular, and full of influence; And should they paint or write still is it action, The struggle of the fly in marmalade.
As I thought of these things, I drew aside the curtains and looked out into the darkness, and it seemed to my troubled fancy that all those little points of light filling the sky were the furnaces of innumerable divine alchemists, who labour continually, turning lead into gold, weariness into ecstasy, bodies into souls, the darkness into God; and at their perfect labour my mortality grew heavy, and I cried out, as so many dreamers and men of letters in our age have cried, for the birth of that elaborate spiritual beauty which could alone uplift souls weighted with so many dreams.
Because this age and the next age
Engender in the ditch,
No man can know a happy man
From any passing wretch,
If Folly link with Elegance
No man knows which is which.