I know of the leafy paths that the witches take
Who come with their crowns of pearl and their spindles of wool,
And their secret smile, out of the depths of the lake.
Let the new faces play what tricks they will
In the old rooms; night can outbalance day,
Our shadows rove the garden gravel still,
The living seem more shadowy than they.
I would have touched it like a child But knew my finger could but have touched Cold stone and water. I grew wild, Even accusing heaven because It had set down among its laws: Nothing that we love over-much Is ponderable to our touch.
Great literature has always been written in a like spirit, and is, indeed, the Forgiveness of Sin, and when we find it becoming the Accusation of Sin, as in George Eliot, who plucks her Tito in pieces with as much assurance as if he had been clockwork, literature has begun to change into something else.
I am haunted by numberless islands, many a Danaan shore,
Where Time would surely forget us, and Sorrow come near us no more;Soon far from the rose and the lily and fret of the flames would we be,
Were we only white birds, my beloved, buoyed out on the foam of the sea!
Some burn damp faggots, others may consume
The entire combustible world in one small room
As though dried straw, and if we turn about
The bare chimney is gone black out
Because the work had finished in that flare.
...How many loved your moments of glad grace, And loved your beauty with love false or true, But one man loved the pilgrim soul in you, And loved the sorrows of your changing face... "When You Are Old And Gray
It seems that I must bid the Muse to pack, / Choose Plato and Plotinus for a friend / Until imagination, ear and eye, / Can be content with argument and deal / In abstract things; or be derided by / A sort of battered kettle at the heel.