I made my song a coat Covered with embroideries Out of old mythologies From heel to throat But the fools caught it, Wore it in the world's eyes As though they'd wrought it. Song, let them take it, For there's more enterprise In walking naked.
A line will take us hours maybe; / Yet if it does not seem a moment's thought, / Our stitching and unstitching has been naught... Better go down upon your marrow-bones / And scrub a kitchen pavement, or break stones... For to articulate sweet sounds together / Is to work harder than all these, and yet / Be thought an idler by the noisy set.
It takes more courage to dig deep in the dark corners of your own soul and the back alleys of your society than it does for a soldier to fight on the battlefield.
All art that is not mere storytelling, or mere portraiture, is symbolic, and has the purpose of those symbolic talismans which medieval magicians made with complex colours and forms, and bade their patients ponder over daily, and guard with holy secrecy; for it entangles, in complex colours and forms, a part of the Divine Essence.
Processions that lack high stilts have nothing that catches the eye.
What if my great-granddad had a pair that were twenty foot high,
And mine were but fifteen foot, no modern stalks upon higher,
Some rogue of the world stole them to patch up a fence or a fire.
Why should I blame her that she filled my days With misery, or that she would of late Have taught to ignorant men most violent ways, Or hurled the little streets upon the great, Had they but courage equal to desire? What could have made her peaceful with a mind That nobleness made simple as a fire, With beauty like a tightened bow, a kind That is not natural in an age like this Being high and solitary and most stern? Why, what could she have done, being what she is? Was there another Troy for her to burn?
Words are always getting conventionalized to some secondary meaning. It is one of the works of poetry to take the truants in custody and bring them back to their right senses.