He only can create the greatest imaginable beauty who has endured all imaginable pangs, for only when we have seen and foreseen what we dread shall we be rewarded by that dazzling unforeseen wing-footed wanderer.
It is one of the great troubles of life that we cannot have any unmixed emotions. There is always something in our enemy that we like, and something in our sweetheart that we dislike.
That is no country for old men. The young In one another's arms, birds in the trees - Those dying generations-at their song, The salmon-falls, the mackerel-crowded seas, Fish, flesh, or fowl, commend all summer long Whatever is begotten, born, and dies. Caught in that sensual music all neglect Monuments of unaging intellect.
All art that is not mere storytelling, or mere portraiture, is symbolic, and has the purpose of those symbolic talismans which medieval magicians made with complex colours and forms, and bade their patients ponder over daily, and guard with holy secrecy; for it entangles, in complex colours and forms, a part of the Divine Essence.
The brawling of a sparrow in the eaves The brilliant moon and all the milky sky And all that famous harmony of leaves Had blotted out man's image and his cry.
Some burn damp faggots, others may consume
The entire combustible world in one small room
As though dried straw, and if we turn about
The bare chimney is gone black out
Because the work had finished in that flare.
Before The World Was Made If I make the lashes dark and the eyes more bright and the lips more scarlet, or ask if all be right from mirror after mirror, no vanity's displayed: I'm looking for the face I had before the world was made. What if I look upon a man as though on my beloved, and my blood be cold the while and my heart unmoved? Why should he think me cruel or that he is betrayed? I'd have him love the thing that was before the world was made.
I thought it out this very day,
Noon upon the clock,
A man may put pretence away
Who leans upon a stick,
May sing, and sing until he drop,
Whether to maid or hag.