Something might be true while being harmful and dangerous in the highest degree. Indeed, it might be a basic characteristic of existence that those who know it completely would perish, in which case the strength of a spirit should be measured according to how much of the 'truth' one could still barely endure- or to put it more clearly, to what degree one would require it to be thinned down, shrouded, sweetened, blunted, falsified.
There are the terrible ones who carry about in themselves the beast of prey, and have no choice except lusts or self-laceration. And even their lusts are self-laceration.
It quite often happens that the old man is subject to the delusion of a great moral renewal and rebirth, and from this experience he passes judgments on the work and course of his life, as if he had only now become clear-sighted; and yet the inspiration behind this feeling of well-being and these confident judgements is not wisdom, but weariness .
Zarathustra was the first to consider the fight of good and evil the very wheel in the machinery of things: the transposition of morality into the metaphysical realm, as a force, cause, and end in itself, is his work. [...] Zarathustra created this most calamitous error, morality; consequently, he must also be the first to recognize it.
Faced with a world of "modern ideas" which would like to banish everyone into a corner and a "specialty," a philosopher, if there could be a philosopher these days, would be compelled to establish the greatness of mankind, the idea of "greatness," on the basis of his own particular extensive range and multiplicity, his own totality in the midst of diversity.
This tremendous event is still on its way, still wandering; it has not yet reached the ears of men. Lightning and thunder require time; the light on the stars requires time; deeds though done, still require time to be seen and heard. This deed is still more distant from them than the most distant stars - and yet they have done it themselves.
One should adpot only those situations in which one is in no need of sham virtues, but rather, like the tight-rope dancer on his tight rope, in which one must either fall or stand--or escape.
The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, noris it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.