Each word of Heraclitus expresses the pride and the majesty of truth, but of truth grasped in intuitions rather than attained by the rope ladder of logic.
Rather perish than hate and fear, and twice rather perish than make oneself hated and feared — this must some day become the highest maxim for every single commonwealth.
On all the walls, wherever walls exist, I will inscribe this eternal indictment of Christianity--I have letters to make even blindmen see.... I call Christianity the single great curse, the single great innermost depravity, the single great instinct of revenge, for which no means is poisonous, secretive, subterranean, small enough--I call it mankind's single immortal blemish.... And we reckon time from the dies nefastus with which this calamity arose--following Christianity's first day!--Why not following its last day, instead?--Following today?--Transvaluation of all values!
More and more it seems to me that the philosopher, being of necessity a man of tomorrow and the day after tomorrow, has always found himself, and had to find himself, in contradiction to his today: his enemy was ever the ideal of today. So far all these extraordinary furtherers of men whom one calls philosophers, though they themselves have rarely felt like friends of wisdom but rather like disagreeable fools and dangerous question marks, have found their task, their hard, unwanted, inescapable task, but eventually also the greatness of their task, in being the bad conscience of their time.
When anyone apologizes to us he has to do it very expertly: otherwise we might easily come to see ourselves as the guilty party and experience unpleasant feelings.
The beautiful exists just as little as the true. In every case it is a question of the conditions of preservation of a certain type of man: thus the herd-man will experience the value feeling of the true in different things than will the overman.
So long as the spectator has to figure out the meaning of this or that person, or the presuppositions of this or that conflict of inclinations and purposes, he cannot become completely absorbed in the activities and sufferings of the chief characters or feel breathless pity and fear.
THE SUFFERING OF GENIUS AND ITS VALUE. The artistic genius desires to give pleasure, but if his mind is on a very high plane he does not easily find anyone to share his pleasure; he offers entertainment but nobody accepts it. That gives him, in certain circumstances, a comically touching pathos; for he has no right to force pleasure on men. He pipes, but none will dance: can that be tragic?
For the purpose of knowledge we must know how to make use of the inward current which draws us towards a thing, and also of the current which after a time draws us away from it.