Having become conscious of the truth he once perceived, man now sees only the awfulness or the absurdity of existence, he now understands the symbolic element in Ophelia's fate, he now recognizes the wisdom of the woodland god, Silenus: it nauseates him.
So far no one had had enough courage and intelligence to reveal me to my dear Germans. My problems are new, my psychological horizon frighteningly comprehensive, my language bold and clear; there may well be no books written in German which are richer in ideas and more independent than mine.
Words are but symbols for the relations of things to one another and to us; nowhere do they touch upon absolute truth... Through words and concepts we shall never reach beyond the wall off relations, to some sort of fabulous primal ground of things.
THE SLOW ARROW OF BEAUTY. The noblest kind of beauty is that which does not transport us suddenly, which does not make stormy and intoxicating impressions such a kind easily arouses disgust but that which slowly filters into our minds.
As is well known, the priests are the most evil enemies—but why? Because they are the most impotent. It is because of their impotence that in them hatred grows to monstrous and uncanny proportions, to the most spiritual and poisonous kind of hatred. The truly great haters in world history have always been priests; likewise the most ingenious haters: other kinds of spirit hardly come into consideration when compared with the spirit of priestly vengefulness.
When we dream about those who are long since forgotten or dead, it is a sign that we have undergone a radical transformation and that the ground on which we live has been completely dug up: then the dead rise up, and our antiquity becomes modernity.
Speaking of Georges Bizet: His music has the tang of sunny climates, their bracing air, their clearness. It voices a sensibility hitherto unknown to us.