She looked at him, and oh, the weariness to her, of the effort to understand another language, the weariness of hearing him, attending to him, making out who he was, as he stood there fair-bearded and alien, looking at her. She knew something of him, of his eyes. But she could not grasp him. She closed her eyes.
The East is marvellously interesting for tracing our steps back. But for going forward, it is nothing. All it can hope for is to be fertilised by Europe, so that it can start on a new phase.
I can't do with mountains at close quarters - they are always in the way, and they are so stupid, never moving and never doing anything but obtrude themselves.
Previously, even in Egypt, men had not learned to see straight. They fumbled in the dark, and didn't quite know where they were, or what they were. Like men in a dark room, they only felt their existence surging in the darkness of other creatures. We, however, have learned to see ourselves for what we are, as the sun sees us. The Kodak bears witness.
It is only when men lose their contact with this eternal life-flame, and become merely personal, things in themselves, instead ofthings kindled in the flame, that the fight between man and woman begins.
An artist is only an ordinary man with a greater potentiality--same stuff, same make up, only more force. And the strong driving force usually finds his weak spot, and he goes cranked, or goes under.
The cosmos is a vast living body, of which we are still parts. The sun is a great heart whose tremors run through our smallest veins. The moon is a great nerve center from which we quiver forever. Who knows the power that Saturn has over us, or Venus? But it is a vital power, rippling exquisitely through us all the time.
The Aztec gods and goddesses are, as far as we have known anything about them, an unlovely and unlovable lot. In their myths there is no grace or charm, no poetry. Only this perpetual grudge, grudge, grudging, one god grudging another, the gods grudging men their existence, and men grudging the animals. The goddess of love is goddess of dirt and prostitution, a dirt-eater, a horror, without a touch of tenderness.
Melville had to fight, fight against the existing world, against his own very self. Only he would never quite put the knife in the heart of his paradisal ideal. Somehow, somewhere, somewhen, love should be a fulfillment, and life should be a thing of bliss. That was his fixed ideal. Fata Morgana. That was the pin he tortured himself on, like a pinned-down butterfly.
Comes over one an absolute necessity to move. And what is more, to move in some particular direction. A double necessity then: to get on the move, and to know whither.