Sir Hiram Maxim is a genuine and typical example of the man of science, romantic, excitable, full of real but somewhat obvious poetry, a little hazy in logic and philosophy, but full of hearty enthusiasm and an honorable simplicity. He is, as he expresses it, "an old and trained engineer," and is like all of the old and trained engineers I have happened to come across, a man who indemnifies himself for the superhuman or inhuman concentration required for physical science by a vague and dangerous romanticism about everything else.
I don't need 15 houses. Owning real estate doesn't mean much to me. I don't like to think about things like that. I don't need 12 boats, or even the world's largest boat with a crew of 80. I'd have to take care of them, to worry about them. I get a lot more fun out of life without all the bells and whistles.
From the State the exceptional individual cannot expect much. He is seldom benefited by being taken into its service; the only certain advantage it can give him is complete independence. Only real culture will prevent him being too early tired out or used up, and will spare him the exhausting struggle against culture-philistinism.
If, in any individual, university training produces a taste for refined idleness, a distaste for sustained effort, a barren intellectual arrogance, or a sense of superfluous aloofness from the world of real men who do the world's real work, then it has harmed that individual.
Real affection comes from the face. Those political leaders, when they meet, they are always hugging, but not very genuine. Deep, sincerity comes from face and eye.
Without total freedom, every perception, every objective regard, is twisted. It is only the man who is totally free that can look and understand immediately. Freedom implies really, doesn't it, the total emptying of the mind. To completely empty the whole content of the mind — that is real freedom.
The Merchant, to Secure His Treasure The merchant, to secure his treasure, Conveys it in a borrowed name: Euphelia serves to grace my measure, But Cloe is my real flame. My softest verse, my darling lyre Upon Euphelia's toilet lay - When Cloe noted her desire That I should sing, that I should play. My lyre I tune, my voice I raise, But with my numbers mix my sighs; And whilst I sing Euphelia's praise, I fix my soul on Cloe's eyes. Fair Cloe blushed; Euphelia frowned: I sung, and gazed; I played, and trembled: And Venus to the Loves around Remarked how ill we all dissembled.
I haven't encouraged [Julia Marie Pacino] or discouraged her. I let her go her own way. I did say to her that I thought that she had a real gift, and it's a good idea to know that. It's always good to go with your gift.
I can be almost terminally grief-stricken because things are so dire, but at the same, there's a real lightheartednes s about just the recoverability of life, of how things change, how they're not the same, ever again.
I recognise a distinction between dream life and real life, between appearances and actualities. I confess to an over-powering desire to know whether I am asleep or awake--whether the environment and laws which affect me are external and permanent, or the transitory products of my own brain.
We all have a thirst for wonder. It's a deeply human quality. Science and religion are both bound up with it. What I'm saying is, you don't have to make stories up, you don't have to exaggerate. There's wonder and awe enough in the real world. Nature's a lot better at inventing wonders than we are.