We're all called. If you're here breathing, you have a contribution to make to our human community. The real work of your life is to figure out your function-your part in the whole-as soon as possible, and then get about the business of fulfilling it as only you can.
I am convinced that 1941 will be the crucial year of a great New Order in Europe. The world shall open up for everyone. Privileges for individuals, the tyranny of certain nations and their financial rulers shall fall. And last of all this year will help to provide the foundations of a real understanding among peoples, and with it the certainty of conciliation among nations. . . . Those nations who are still opposed to us will some day recognize the greater enemy within. Then they will join us in a combined front, a front against Jewish exploitation and racial degeneration.
Storytelling, you know, has a real function. The process of the storytelling is itself a healing process, partly because you have someone there who is taking the time to tell you a story that has great meaning to them. They're taking the time to do this because your life could use some help, but they don't want to come over and just give advice. They want to give it to you in a form that becomes inseparable from your whole self. That's what stories do. Stories differ from advice in that, once you get them, they become a fabric of your whole soul. That is why they heal you.
[Do you worry unnecessarily about the future? Remember most fears are just False Evidence Appearing Real. Don't let unfounded fears rob you of the joys of life or you too will say...] There has been much tragedy in my life; [and] at least half of it actually happened.
You may tell me that my hand and foot are only imaginary symbols of my existence. I could believe you, but you never, never can convince me that the I is not an eternal reality, and that the spiritual is not the true and real part of me.
Serving the Truth becomes our life instead of just an isolated event. It takes the abstractness out of spirituality. That's the opportunity of real spirituality: to be in service to the silence of the heart.
Sir Hiram Maxim is a genuine and typical example of the man of science, romantic, excitable, full of real but somewhat obvious poetry, a little hazy in logic and philosophy, but full of hearty enthusiasm and an honorable simplicity. He is, as he expresses it, "an old and trained engineer," and is like all of the old and trained engineers I have happened to come across, a man who indemnifies himself for the superhuman or inhuman concentration required for physical science by a vague and dangerous romanticism about everything else.
You will think me very pedantic, gentlemen, but holiday though it may be, I have not the smallest interest in any holiday, except as it celebrates real and not pretended joys.
For why, my brothers and sisters, would you rejoice in silver? Either your silver will perish, or you will, and no one knows which will perish first. For neither can you remain here always, nor can silver remain here always; so also with gold, wardrobes, houses, money, real estate-and in the end, even the light by which we enjoy all these things. So do not be willing then to rejoice in such things as these. Rejoice instead in the light that has no setting; rejoice in the dawn which no yesterday precedes, and no tomorrow follows.
That's how it will be, except that in reality, both today and later, one will stand there with a palpable body and a real head, a real forehead, that is, for smiting on with one's hand.
Perpetual modernness is the measure of merit, in every work of art; since the author of it was not misled by anything short- livedor local, but abode by real and abiding traits.
The real is near, you do not have to seek it; and a man who seeks truth will never find it. Truth is in what is - and that is the beauty of it. But the moment you conceive it, the moment you seek it, you begin to struggle; and a man who struggles cannot understand. That is why we have to be still, observant, passively aware.
With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film. For truly cinematic expression, the camera and the microphone must be able to cross both fire and water. That is what makes a real movie. The script must be something that has the power to do this.
The ascent to the divine Life is the human journey, the Work of works, the acceptable Sacrifice. This alone is man's real business in the world and the justification of his existence, without which he would only be an insect crawling among the ephemeral insects on a speck of surface mud and water which has managed to form itself amid the appalling immensities of the physical universe.