The thief steals from himself. The swindler swindles himself. For the real price is knowledge and virtue, whereof wealth and credit are signs. These signs, like paper money, may be counterfeited or stolen, but that which they represent, namely, knowledge and virtue, cannot be counterfeited or stolen.
The real Brahms is nothing more than a sentimental voluptuary. rather tiresomely addicted to dressing himself up as Handel or Beethoven and making a prolonged and intolerable noise.
We must never fear robbers or murderers. They are dangers from outside, small dangers. It is ourselves we have to fear. Prejudice is the real robber, vice the real murderer. Why should we be troubled by a threat to our person or our pocket? What we have to beware of is the threat to our souls'.
The first angle is, love questions not. It is not a beggar. ... When love asks nothing, [when it] gives everything. This is the real spiritual worship, the worship through love. Whether God is merciful is no longer questioned. He is God; He is my love. Whether God is omnipotent and almighty, limited or unlimited , is no longer questioned.
There is no such thing as a good influence. Because to influence a person is to give him one's own soul. He does not think his natural thoughts, or burn with his natural passions. His virtures are not real to him. His sins, if there are such thing as sins, are borrowed. He becomes an echo of someone else's music, an actor of a part that has not been written for him.
The value of any commodity, therefore, to the person who possesses it, and who means not to use or consume it himself, but to exchange it for other commodities, is equal to the quantity of labour which it enables him to purchase or command. Labour, therefore, is the real measure of the exchangeable value of all commodities. The real price of everything, what everything really costs to the man who wants to acquire it, is the toil and trouble of acquiring it.
I believe that the first step in the setting of a real external world is the formation of the concept of bodily objects and of bodily objects of various kinds.
I tell you solemnly, that I have many times tried to become an insect. But I was not equal even to that. I swear, gentlemen, that to be too conscious is an illness — a real thorough-going illness.
Real travel requires a maximum of unscheduled wandering, for there is no other way of discovering surprises and marvels, which, as I see it, is the only good reason for not staying at home.
Surrogate experience and surrogate environments have become the American way of life. Distinctions are no longer made, or deemed necessary, between the real and the false; the edge usually goes to the latter, as an improved version with defects corrected - accessible and user-friendly.
Only in the problem play is there any real drama, because drama is no mere setting up of the camera to nature: it is the presentation in parable of the conflict between Man's will and his environment: in a word, of problem.
When desire is still in this pure state, the man and the woman fall in love with life, they live each moment reverently, consciously, always ready to celebrate the next blessing. When people feel like this, they are not in a hurry, they do not precipitate events with unthinking actions. They know that the inevitable will happen, that what is real always finds a way of revealing itself. When the moment comes, they do not hesitate, they do not miss an opportunity, they do not let slip a single magic moment, because they respect the importance of each second.