I think Clinton fatigue was a real thing. It's just hard to get comfortable with Gore - it was hard for him to project who he is, the person people know in private.
People accuse journalism of being too personal; but to me it has always seemed far too impersonal. It is charged with tearing away the veils from private life; but it seems to me to be always dropping diaphanous but blinding veils between men and men. The Yellow Press is abused for exposing facts which are private; I wish the Yellow Press did anything so valuable. It is exactly the decisive individual touches that it never gives; and a proof of this is that after one has met a man a million times in the newspapers it is always a complete shock and reversal to meet him in real life.
But the world is out there, and it understands that the illusion of knowledge and freedom is not the same as the real thing. Eventually it will fade, and there are those who will do whatever it takes to make that happen sooner rather than later.
Things get very lonely in Washington sometimes. The real voice of the great people of America sometimes sounds faint and distant in that strange city. You hear politics until you wish that both parties were smothered in their own gas.
I know, in my soul, that to eat a creature who is raised to be eaten, and who never has a chance to be a real being, is unhealthy. It's like...you're just eating misery. You're eating a bitter life.
You want to make decisions that are meaningful to you, and that are going to continue to enhance you being who you really are and what your message to the world is, and everybody has one. The real important thing is to know what that message is and how you want to carry that forward.
I like, for instance, 'Serpico.' I enjoyed playing Serpico because Frank Serpico was there. He existed. He was a real life person and I could - I could embody him. I could, you know, I could work and get to know him and have him help me with the text, the script and become him. It's almost like a painter having a model to become.
The ascent to the divine Life is the human journey, the Work of works, the acceptable Sacrifice. This alone is man's real business in the world and the justification of his existence, without which he would only be an insect crawling among the ephemeral insects on a speck of surface mud and water which has managed to form itself amid the appalling immensities of the physical universe.
My characters are more like men than these real men are, see. They're rough and rude, they got hands and they got bellies. They hate and they lust; break the skin of civilization and you find the ape, roaring and red-handed.
If, then, my awareness of the past and future makes me less aware of the present, I must begin to wonder whether I am actually living in the real world.