I began as a dramatist in the theater, so I'm always thinking about how a story moves, what it looks like, how to engage the senses, how dialogue sounds, what feels authentic and sounds real, what's funny, how to build distinctive and original characters - all the aspects of playwriting, scene-building, the architecture of dramatizing.
Success is not achieved by winning all the time. Real success comes when we rise after we fall. Some mountains are higher than others. Some roads steeper than the next. There are hardships and setbacks but you cannot let them stop you. Even on the steepest road you must not turn back.
... when all violence subsides in the human heart, the state which remains is love. It is not something we have to acquire; it is always present, and needs only to be uncovered. This is our real nature, not merely to love one person here, another there, but to be love itself.
Dawn was written well before 9/11. People speak a lot today about the banality of evil, but not all evil is banal. Some of it is carefully structured and well-thought-out. That's where the real danger lies.
That in the soul which is called mind (by mind I mean that whereby the soul thinks and judges) is, before it thinks, not actually any real thing. For this reason it cannot reasonably be regarded as blended with the body
On television and in the movies, crimes are always solved. Nothing is left uncertain. By the end, the viewer knows whodunit. In real life, on the other hand, many murders remain unsolved, and even some that are "solved" to the satisfaction of the police and prosecutors lack sufficient evidence to result in a conviction.
I know, in my soul, that to eat a creature who is raised to be eaten, and who never has a chance to be a real being, is unhealthy. It's like...you're just eating misery. You're eating a bitter life.
In real life, love has to be possible. Even if it is not returned right away, love can only survive when the hope exists that you will be able to win over the person you desire.
The value of any commodity, therefore, to the person who possesses it, and who means not to use or consume it himself, but to exchange it for other commodities, is equal to the quantity of labour which it enables him to purchase or command. Labour, therefore, is the real measure of the exchangeable value of all commodities. The real price of everything, what everything really costs to the man who wants to acquire it, is the toil and trouble of acquiring it.
If we all hold on to the mistake, we can't see our own glory in the mirror because we have the mistake between our faces and the mirror; we can't see what we're capable of being. You can ask forgiveness of others, but in the end the real forgiveness is in one's own self.
She put both her hands on his shoulders and gazed at him long, with a deep look of ecstasy and yet searchingly. She scrutinized his face to make up for the time she had not seen him. She compared, as she did at every interview with him, the image her fancy painted of him (incomparably finer than, and impossible in actual existence) with his real self.
The concepts "beyond" and "real world" were invented in order to depreciate the only world that exists-in order that no goal, no aim or task might be left for our earthly reality.