It often happens that the real tragedies of life occur in such an inartistic manner that they hurt us by their crude violence, their absolute incoherence, their absurd want of meaning, their entire lack of style.
As I see it, out of a hundred marriages ninety-nine marriages are just licensed prostitution. They are not marriages. A marriage is only a real marriage when it grows out of love. Legal, illegal, does not matter. The real thing that matters is love.
Conflicts between nations will continue to arise. The real issue is whether they are to be resolved by force, or by resort to peaceful methods and procedures, administered by impartial institutions.
Any magazine-cover hack can splash paint around wildly and call it a nightmare, or a witches sabbath or a portrait of the devil; but only a great painter can make such a thing really scare or ring true. That's because only a real artist knows the anatomy of the terrible, or the physiology of fear.
Senators and presidents have climbed so high with pain enough, not because they think the place specially agreeable, but as an apology for real worth, and to vindicate their manhood in our eyes. This conspicuous chair is their compensation to themselves for being of a poor, cold, hard nature.
I think the real reason so many youngsters are clamoring for freedom of some vague sort, is because of unrest and dissatisfaction with present conditions; I don't believe this machine age gives full satisfaction in a spiritual way, if the term may be allowed.
There's been real hostility toward political poetry in the U.S., hostility or, at best, incomprehension. I'm speaking of those who have institutional power over what gets published, over grants andprizes and reviewing. Most of them, though not all, arewhite and male. But even as American society is unravelling, becoming more violent and punitive, wonderful political poetshave been emerging.