Money is part of how we move through the world, what stores and restaurants we go into, whether we take a train to the airport or a taxi. Describing characters living in the real world requires describing them engaging with money. There are also so many emotional aspects to money - feelings of inadequacy, feelings of security. I am not sure if there needs to be more about money in fiction, but the absence of this aspect can make a story feel somehow frictionless and unreal.
Most REAL change is slow. Happiness and joy are the purpose of life. If we know that the future will be very dark or painful, then we lose our determination to live. Therefore, life is something based on hope.
What you do is what the whole universe is doing at the place you call "here and now," and you are something the whole universe is doing in the same way that a wave is something that the whole ocean is doing... The real you is not a puppet which life pushes around. The real deep-down you is the whole universe.
It makes no difference to a widow with her savings in a 5 percent passbook account whether she pays 100 percent income tax on her interest income during a period of zero inflation or pays no income tax during years of 5 percent inflation. Either way, she is 'taxed' in a manner that leaves her no real income whatsoever. Any money she spends comes right out of capital. She would find outrageous a 100 percent income tax but doesn't seem to notice that 5 percent inflation is the economic equivalent.
At last she shut the book sharply, lay back, and drew a deep breath, expressive of the wonder which always marks the transition from the imaginary world to the real world.
I'm asking you to believe. Not just in my ability to bring about real change in Washington . . . I'm asking you to believe in yours." Keeping faith with those who serve must always be a core American value and a cornerstone of American patriotism. Because America's commitment to its servicemen and women begins at enlistment, and it must never end.
When two friends are in the mood to chat, we have to go about it in a gentler and more dialectical way. By 'more dialectical,' I mean not only that we give real responses, but that we base our responses solely on what the interlocutor admits that he himself knows.
There is real danger of a disconnect between what's on your business card and who you are deep inside, and it's not a disconnect that the world is ready to be patient with.
When I see a cheerful young man shrieking about how full of life he is, banging on a drum, and blowing on a tin trumpet, and speaking of his good spirits, it depresses me, since naturally it gives the contrary impression. It can't be real. It ought to be but it isn't. If the noisy person meant what he said, he wouldn't say it.
Real solemn history, I cannot be interested in.... The quarrels of popes and kings, with wars and pestilences in every page; the men all so good for nothing, and hardly any women at all.
Tis the old secret of the gods that they come in low disguises. 'Tis the vulgar great who come dizened with gold and jewels. Real kings hide away their crowns in their wardrobes, and affect a plain and poor exterior.
I may say that B-love, in a profound but testable sense, creates the partner. It gives him a self-image, it gives him self- acceptance, a feeling of love-worthiness, all of which permit him to grow. It is a real question whether the full development of the human being is possible without it.
I had a very pleasant evening, however, though you will probably find out that there was no particular reason for it; but I do not think it worthwhile to wait for enjoyment until there is some real opportunity for it.