Communities tend to be guided less than individuals by conscience and a sense of responsibility. How much misery does this fact cause mankind! It is the source of wars and every kind of oppression, which fill the earth with pain, sighs and bitterness.
Now the pessimist proper is the most modest of men. ... under no circumstances does he presume to imagine that he, a mere unit of pain, can in any degree change or soften the remorseless words of fate.
Man, however, is the most courageous animal: thereby has he overcome every animal. With sound of triumph has he overcome every pain; human pain, however, is the sorest pain.
[ Blue is the Warmest Color ] was really a film about two people having to go through a relationship which everyone knew would lead to a breakup and the pain that that entails. Anybody can see that story, what leads to that, and identify with it. As a filmmaker, I wanted to construct this identification process with the characters so that you fully connect to their emotions and what their breakup [represents].
Behind Joy and Laughter there may be a temperament, coarse, hard and callous. But behind Sorrow there is always Sorrow. Pain, unlike Pleasure, wears no mask.
Our society tends to regard as a sickness any mode of thought or behavior that is inconvenient for the system and this is plausible because when an individual doesn't fit into the system it causes pain to the individual as well as problems for the system. Thus the manipulation of an individual to adjust him to the system is seen as a cure for a sickness and therefore as good.
I took a good deal o' pains with his eddication, sir; let him run in the streets when he was very young, and shift for hisself. It's the only way to make a boy sharp, sir.
On the eve of long voyages or an absence of many years, friends who are tenderly attached will seperate with the usual look, the usual pressure of the hand, planning one final interview for the morrow, while each well knows that it is but a poor feint to save the pain of uttering that one word, and the meeting will never be. Should possibilities be worse to bear than certainties?
Technique is really personality. That is the reason why the artist cannot teach it, why the pupil cannot learn it, and why the aesthetic critic can understand it. To the great poet, there is only one method of music - his own. To the great painter, there is only one manner of painting - that which he himself employs. The aesthetic critic, and the aesthetic critic alone, can appreciate all forms and all modes. It is to him that Art makes her appeal.