To regard one's immortality as an exchange of matter is as strange as predicting the future of a violin case once the expensive violin it held has broken and lost its worth.
How strange to have failed as a social creature—even criminals do not fail that way—they are the law's "Loyal Opposition," so to speak. But the insane are always mere guests on earth, eternal strangers carrying around broken decalogues that they cannot read.
There are three layers to the universe. In the lower, Tai Ching, and the middle, Shan Ching, the hindrance of a physical bodily existence is required. Those who fail to live consistently in accord with the Tao reside here. In the upper, Yu Ching, there is only Tao: the bondage of form is broken, and the only thing existing is the exquisite energy dance of the immortal divine beings.
Not by way of the forced and worn formula of Romaticism, but throught the closeness of an imagination that has never broken kinship with nature. Art must accept such gifts, and revaluate the giver.
In the firm expectation that when London shall be a habitation of bitterns, when St. Paul and Westminster Abbey shall stand shapeless and nameless ruins in the midst of an unpeopled marsh, when the piers of Waterloo Bridge shall become the nuclei of islets of reeds and osiers, and cast the jagged shadows of their broken arches on the solitary stream, some Transatlantic commentator will be weighing in the scales of some new and now unimagined system of criticism the respective merits of the Bells and the Fudges and their historians.
Ah, broken is the golden bowl! the spirit flown forever! Let the bell toll!-a saintly soul floats on the Stygian river; And, Guy de Vere, hast thou no tear?-weep now or nevermore!