When you describe the miserable and unfortunate, and want to make the reader feel pity, try to be somewhat colder - that seems to give a kind of background to another's grief, against which it stands out more clearly. Whereas in your story the characters cry and you sigh. Yes, be more cold. ... The more objective you are, the stronger will be the impression you make.
I swore that I would not suffer from the world's grief and the world's stupidity and cruelty and injustice and I made my heart as hard in endurance as the nether millstone and my mind as a polished surface of steel. I no longer suffered, but enjoyment had passed away from me.
I want people to be more open and tolerant. I want them to know that behind every stranger is a backstory that is the common denominator - for we all share in the human experience: pain, sadness, grief, lack of love, and then, with hope and help, step by step achievements.
A blight had fallen on the trees and shrubs; and the wind, at length beginning to break the unnatural stillness that had prevailed all day, sighed heavily from time to time, as though foretelling in grief the ravages of the coming storm. The bat skimmed in fantastic flights through the heavy air, and the ground was alive with crawling things, whose instinct brought them forth to swell and fatten in the rain.
I can be almost terminally grief-stricken because things are so dire, but at the same, there's a real lightheartednes s about just the recoverability of life, of how things change, how they're not the same, ever again.
Great griefs exhaust. They discourage us with life. The man into whom they enter feels something taken from him. In youth, their visit is sad; later on, it is ominous.
Tell them, that, to ease them of their griefs, Their fear of hostile strokes, their aches, losses, Their pangs of love, with other incident throes That nature's fragile vessel doth sustain In life's uncertain voyage, I will some kindness do them.
And can it be that in a world so full and busy the loss of one creature makes a void so wide and deep that nothing but the width and depth of eternity can fill it up!
I'm inclined to reserve all judgement, a habit that has opened up many curious natures to me and made me the victim of not a few veteran bores. The abnormal mind is quick to detect and attach itself to this quality when it appears in a normal person, and so it came about that in college I was unjustly accused of being a politician, because I was privy to the secret griefs of wild, unknown men.
Behind all art is an element of desire...Love of life, of existence, love of another human being, love of human beings is in some way behind all art — even the most angry, even the darkest, even the most grief-stricken, and even the most embittered art has that element somewhere behind it. Because how could you be so despairing, so embittered, if you had not had something you loved that you lost?
for my grief's so great That no supporter but the huge firm earth Can hold it up: here I and sorrows sit; Here is my throne, bid kings come bow to it. (Constance, from King John, Act III, scene 1)