My waking thoughts are all of thee. Your portrait and the remembrance of last night's delirium have robbed my senses of repose. Sweet and incomparable Josephine, what an extraordinary influence you have over my heart. Are you vexed? Do I see you sad? Are you ill at ease? My soul is broken with grief, and there is no rest for your lover.
I can be almost terminally grief-stricken because things are so dire, but at the same, there's a real lightheartednes s about just the recoverability of life, of how things change, how they're not the same, ever again.
Personal size and mental sorrow have certainly no necessary proportions. A large bulky figure has a good a right to be in deep affliction, as the most graceful set of limbs in the world. But, fair or not fair, there are unbecoming conjunctions, which reason will pa tronize in vain,--which taste cannot tolerate,--which ridicule will seize.
Verily, I swear, it is better to be lowly born, and range with humble livers in content, than to be perked up in a glistering grief, and wear a golden sorrow.
Suffering is one very long moment. We cannot divide it by seasons. We can only record its moods, and chronicle their return. With us time itself does not progress. It revolves. It seems to circle round one center of pain.
I can be almost terminally grief-stricken because things are so dire, but at the same, there's a real lightheartednes s about just the recoverability of life, of how things change, how they're not the same, ever again.
There are moods in which we court suffering, in the hope that here, at least, we shall find reality, sharp peaks and edges of truth. But it turns out to be scene-painting and counterfeit. The only thing grief has taught me is to know how shallow it is.
Time is passing. Yet, for the United States of America, there will be no forgetting September the 11th. We will remember every rescuer who died in honor. We will remember every family that lives in grief. We will remember the fire and ash, the last phone calls, the funerals of the children.
When you describe the miserable and unfortunate, and want to make the reader feel pity, try to be somewhat colder - that seems to give a kind of background to another's grief, against which it stands out more clearly. Whereas in your story the characters cry and you sigh. Yes, be more cold. ... The more objective you are, the stronger will be the impression you make.
When he tells us about his Father, we distrust him. When he shows us his Home, we turn away, but when he confides to us that he is acquainted with grief, we listen, for that also is an acquaintance of our own.