In Koln, a town of monks and bones,
And pavement fang'd with murderous stones,
And rags and hags, and hideous wenches,
I counted two-and-seventy stenches,
All well defined, and several stinks!
Ye nymphs that reign o'er sewers and sinks,
The River Rhine, it is well known,
Doth wash your city of Cologne;
But tell me, nymphs! what power divine
Shall henceforth whash the river Rhine.
Through me you pass into the city of woe: Through me you pass into eternal pain: Through me among the people lost for aye. Justice the founder of my fabric moved: To rear me was the task of power divine, Supremest wisdom, and primeval love. Before me things create were none, save things Eternal, and eternal I shall endure. All hope abandon, ye who enter here.
People working at the arenas are not just depending on one or two concerts. I think it gives a symbolic boost, as well as those shows do bring down some monetary investments in the city.
Creation destroys as it goes, throws down one tree for the rise of another. But ideal mankind would abolish death, multiply itself million upon million, rear up city upon city, save every parasite alive, until the accumulation of mere existence is swollen to a horror.
When the Stranger says: "What is the meaning of this city? Do you huddle close together because you love each other?" What will you answer? "We all dwell together To make money from each other"? or "This is a community"? Oh my soul, be prepared for the coming of the Stranger. Be prepared for him who knows how to ask questions.
...our cities of the present lack the outstanding symbol of national community which, we must therefore not be surprised to find, sees no symbol of itself in the cities. The inevitable result is a desolation whose practical effect is the total indifference of the big-city dweller to the destiny of his city.
I journeyed to London, to the timekept City, Where the River flows, with foreign flotations. There I was told: we have too many churches, And too few chop-houses.
The Italians are fond of red clothes, peacock plumes, and embroidery; and I remember one rainy morning in the city of Palermo, the street was ablaze with scarlet umbrellas.
New York was not a romantic city at [80th]. Nobody knows who you are and you don't have to care about anybody else. It's a very cold city, I should say.
I have always stated I designed the stadium as a toilet seat. I don't care if this is a great cultural event or a national symbol. It has nothing to do with me. It deals with the city.
Language is a city, to the building of which every human being brought a stone; yet he is no more to be credited with the grand result than the acaleph which adds a cell to the coral reef which is the basis of the continent.
A Song of the good green grass! A song no more of the city streets; A song of farms - a song of the soil of fields. A song with the smell of sun-dried hay, where the nimble pitchers handle the pitch-fork; A song tasting of new wheat, and of fresh-husk'd maize.