Anyone who says the artist's field is all answers and no questions has never done any writing or had any dealings with imageryYou are confusing two concepts: answering the questions and formulating them correctly. Only the latter is required of an author.
The form of government that is most suitable to the artist is no government at all. ... One might point out how the Renaissance was great, because it sought to solve no social problem, and busied itself not about such things, but suffered the individual to develop freely, beautifully, and naturally, and so had great and individual artists, and great, individual men. One might point out how Louis XIV, by creating the modern state, destroyed the individualism of the artist.
There's a bunch of songs that I call B-sides on the record that you could argue could maybe have some potential commercial success with another artist, but for me, they just felt really whack.
I do original songs in the style of other artists, where I try to learn all their musical idiosyncrasies and try to do something that sounds like them and yet is a bit more sick and twisted.
The time has come for writers, especially those who are artists, to admit that in this world one cannot make anything out, just as Socrates once admitted it, just as Voltaire admitted it.
An artist must only judge of what he understands, his field is just as limited as that of any other specialist... That in his sphere there are no questions, but only answers, can only be maintained by those who have never written and have had no experience of thinking in images.
The habits of every animal are, at least in the eyes of man, constantly similar in all ages. But the habits, the clothes, the words and the dwelling of a prince, a banker, an artist, a bourgeois, a priest and a pauper, are wholly dissimilar and change at the will of civilizations.
My process in making a music video is pretty much a formula of talking to the artist. I've never made a video where I didn't talk to the artist before I wrote the treatment. Basically, I enter into it knowing we are collaborators.
The poetical tendency of the present and of the preceding century has been divided in a manner singularly curious. One loud and conspicuous faction of bards, giving way to the corrupt influences of a decaying general culture, seems to have abandoned all the properties of versification and reason in its mad scramble after sensational novelty; whilst the other and quieter school constituting a more logical evolution from the poesy of the Georgian period, demands an accuracy of rhyme and metre unknown even to the polished artists of the age of Pope.
I think most artists feel like they're outside society - no matter how many accolades they receive, or how much money is in your bank account, whatever is going on in your life on the professional side.
We grow hostile to many an artist or writer, not because we finally come to see he has deceived us, but because he thought no subtler means were required to ensnare us.