Just as the historian can teach no real history until he has cured his readers of the romantic delusion that the greatness of a queen consists in her being a pretty woman and having her head cut off, so the playwright of the first order can do nothing with his audience until he has cured them of looking at the stage through the keyhole, and sniffing round the theatre as prurient people sniff round the divorce court.
Alice had begun with 'Let's pretend we're kings and queens;' and her sister, who liked being exact, had argued that they couldn't, because there were only two of them, and Alice hand been reduced at last to say, 'Well, you can be one of them then, and I'll be the rest.
Thus weary of the world, away she hies, And yokes her silver doves; by whose swift aid Their mistress mounted through the empty skies In her light chariot quickly is convey'd; Holding their course to Paphos, where their queen Means to immure herself and not be seen.
This principle of opposites is at the very root of Creation, which is divided between the rule of the King and the Queen; Night and Day; the One and the Varied; the Eternal and the Evolving.
Even so; an't please your worship, Brakenbury,
You may partake of any thing we say:
We speak no treason, man; we say the King
Is wise and virtuous, and his noble queen
Well struck in years, fair, and not jealous;
We say that Shore's wife hath a pretty foot,
A cherry lip, a bonny eye, a passing pleasing tongue;
And that the Queen's kindred are made gentlefolks.
O, then I see Queen Mab hath been with you. . . . She is the fairies’ midwife, and she comes In shape no bigger than an agate stone On the forefinger of an alderman, Drawn with a team of little atomi Athwart men’s noses as they lie asleep.