If pity was always equally alive and acting in all individuals and in all circumstances, we could do away with moral. Unfortunately, it is not compassion, but rather it's contrary, selfishness, that act most strongly in us.
A person who is good for anything ought not to calculate the chance of living or dying; he or she ought only to consider whether in doing anything he or she is doing right or wrong- acting the part of a good person or a bad person.
Whether he's doing great acting or not, you're seeing somebody who is in the tradition of a great actor. What he does with it, that's something else, but he's got it all. The talent, the instrument is there, that's why he has endured.
The thing is doing it, that's what it's all about. Not in the results of it. After all what is a risk? It's a risk not to take risks. Otherwise, you can go stale and repeat yourself. I don't feel like a person who takes risks. Yet there's something within me that must provoke controversy because I find it wherever I go. Anybody who cares about what he does takes risks.
I feel like a bit of a phony sometimes - I started acting because I didn’t know what else to do. I filled in all these university application forms and honestly didn’t want to do any of the courses.
Improvisation sometimes seemed more like jazz than acting, like verbal jazz, with the actors playing a theme back and forth, and then introducing another theme, incorporating it, somehow trying to work their way all together to a meaning of some kind, or at least a conclusion.
The physical stamina [in Revolution]. I was just shocked by it. I didn't think I had it in me ever, and I wasn't terribly young when I did it. I was in my early forties. That was the first thing I was struck by, not by the acting, not by anything else, but by the physicality.