Winter is on my head, but eternal spring is in my heart. The nearer I approach the end, the plainer I hear around me the immortal symphonies of the worlds which invite me. . . . For half a century I have been writing thoughts in prose, verse, history, drama, romance, tradition, satire, ode, and song. I have tried them all, but I feel I have not said a thousandth part of that which is within me. When I go down to the grave, I can say "I have finished my day's work," but I cannot say "I have finished my life's work."
Primitive times are lyrical, ancient times epical, modern times dramatic. The ode sings of eternity, the epic imparts solemnity tohistory, the drama depicts life. The characteristic of the first poetry is ingeniousness, of the second, simplicity, of the third, truth.
An interesting play cannot in the nature of things mean anything but a play in which problems of conduct and character of personalimportance to the audience are raised and suggestively discussed.
Only in the problem play is there any real drama, because drama is no mere setting up of the camera to nature: it is the presentation in parable of the conflict between Man's will and his environment: in a word, of problem.
JACK That is nonsense. If I marry a charming girl like Gwendolen, and she is the only girl I ever saw in my life that I would marry, I certainly won't want to know Bunbury. ALGERNON Then your wife will. You don't seem to realize, that in married life three is company and two is none. JACK That, my dear young friend, is the theory that the corrupt French Drama has been propounding for the last fifty years. ALGERNON Yes; and that the happy English home has proved in half the time.
Drama, instead of telling us the whole of a man's life, must place him in such a situation, tie such a knot, that when it is untied, the whole man is visible.