[Mary Wortley Montagu] wrote more letters, with fewer punctuation marks, than any Englishwoman of her day; and her nephew, the fourth Baron Rokeby, nearly blinded himself in deciphering the two volumes of undated correspondence which were printed in 1810. Two more followed in 1813, after which the gallant Baron either died at his post or was smitten with despair; for sixty-eight cases of letters lay undisturbed ... 'Les morts n'écrivent point,' said Madame de Maintenon hopefully; but of what benefit is this inactivity, when we still continue to receive their letters?
the most comfortable characteristic of the period [1775-1825], and the one which incites our deepest envy, is the universal willingness to accept a good purpose as a substitute for good work.
History is, and has always been trameled by facts. It may ignore some and deny others; but it cannot accommodate itself unreservedly to theories; it cannot be stripped of things evidenced in favor of things surmised.
There is something frightful in being required to enjoy and appreciate all masterpieces; to read with equal relish Milton, and Dante, and Calderon, and Goethe, and Homer, and Scott, and Voltaire, and Wordsworth, and Cervantes, and Molière, and Swift.
What strange impulse is it which induces otherwise truthful people to say they like music when they do not, and thus expose themselves to hours of boredom?
Conversation in its happiest development is a link, equally exquisite and adequate, between mind and mind, a system by which men approach one another with sympathy and enjoyment, a field for the finest amenities of civilization, for the keenest and most intelligent display of social activity. It is also our solace, our inspiration, and our most rational pleasure. It is a duty we owe to one another; it is our common debt to humanity.
The age of credulity is every age the world has ever known. Men have always turned from the ascertained, which is limited and discouraging, to the dubious, which is unlimited and full of hope for everybody.