It is all about numbers. It is all about sequence. It's the mathematical logic of being alive. If everything kept to its normal progression, we would live with the sadness-cry and then walk-but what really breaks us cleanest are the losses that happen out of order.
Listen. Look. Desire is a house. Desire needs closed space. Desire runs out of doors or windows, or slats or pinpricks, it can’t fit under the sky, too large. Close the doors. Close the windows. As soon as you laugh from nerves or make a joke or say something just to say something or get all involved with the bushes, then you blow open a window in your house of desire and it can’t heat up as well. Cold draft comes in.
With my hand in his, I looked at all the apartment buildings with rushes of love, peering in the wide streetside windows that revealed living rooms painted in dark burgandies and matte reds.
Sometimes, she said, mostly to herself, I feel I do not know my children... It was a fleeting statement, one I didn't think she'd hold on to; after all, she had birthed us alone, diapered and fed us, helped us with homework, kissed and hugged us, poured her love into us. That she might not actually know us seemed the humblest thing a mother could admit.
Many kids, it seemed, would find out that their parents were flawed, messed-up people later in life, and I didn't appreciate getting to know it all so strong and early.
It seems the best work I do is when I am really allowing the unconscious to rule the page and then later I can go back and hack around and make sense of things.
Light is good company, when alone; I took my comfort where I found it, and the warmest yellow bulb in the living-room lamp had become a kind of radiant babysitter all its own.
Not getting bored of my own story and/or character is one of the main struggles I have had with novel writing, and I have put to bed big chunks of work that just didn't sustain my interest.