I always check my harness before I do a stunt; I test-drive the cars I have to race or explode; I'm present at all pyrotechnical rehearsals; and I walk through everything step-by-step. No man should put their life in someone else's hands unless they have covered their own safety from all angles.
It feels wonderful to be go back to the 1940s and recreate the whole era through my clothes, voice and body language. I am tired of playing the larger-than-life hero.
I'm a realist. Where I come from, 'phenomenons' don't exist. I'm from a land where people make mistakes and try again, harder, faster; where negativity is not an option.
To be honest I had learnt martial arts for a girl. So I started learning the art to impress her, but eventually I started loving martial art more than the girl. So later it became a habit it became fun.
People want to see realism in action now. People want the actors to perform than the computers performing. Though I have done both, I enjoy the realism of action more.
Playing a prisoner of war trapped in Pakistan for three years was a novelty for me. We made sure that we didn't talk about India versus Pakistan but about the emotions of people on both sides and how terrorism affects us all.
I see the friends I made over the years who have become family today, people I became acquainted with who have achieved so much in their lives. They taught me something with each meeting.