A product is most easily sold when it has an identity. So they wrap you all up and put a label on you. And then that's what you have to be. But what I'm looking for is the opportunity to explore what I can do, probing the limits, learning.
I used to watch the world as if it was a performance and I would realize that certain things that people did moved me, and certain things didn't move me, and I tried to analyze, even at that age, six and seven and eight, why I was moved by certain things they did
I don't believe there's anything in life you can't go back and fix. The ancient Vedas - the oldest Hindu philosophy - and modern science agree that time is an illusion. If that's true, there's no such thing as a past or a future - it's all one huge now. So what you fix now affects the past and the future.
I'm an actor. My life as an actor depends on who sends me what. I'm just taking the best stuff that I can find that's sent my way, regardless of how big or little the paycheck is. I don't want to work for scale anymore. I'm at a point now where, no matter how good something is, I'm not going to kill myself and end up in the hole.
Is it possible to have an endless series of successes without falling on our faces? I suppose it is, but I think it would entail doing the same things over and over again without taking chances, without taking risks or exploring our limits, without finding out what we can and can't do.
For many years my acting came from a place of surmounting some enormous obstacle, confronting some stern and faceless judge who would condemn me to a pit of hell if I didn't achieve the "zone," if even for a moment. Not a particularly happy place to work from.
That's what we're all doing, all the time, whether we know it or not. Whether we like it or not. Creating something on the spur of the moment with the materials at hand. We might just as well let the rest of it go, join the party, and dance our hearts out.
Two-thirds of American movies are extensions of commercials -- they tell you how to feel and they tell you how to think -- rather than letting you figure it out on your own.
I had a hard time treating my field as if it’s horse racing, putting actors in competition against each other. I see how the industry and the studios feel it’s important, but I don’t really have a feeling for being in competition. I want to feel sympathetic and close to others, not opposed to them.
I don't love the business. I never wanted to be a part of it. I don't think any actor does. Most of the time, I've been really fortunate to work with people who are really fun to work with. It doesn't mean we don't take it seriously, but no one is under the delusion (that we're) bringing world peace.
'Catch-22' was a huge failure, and it rubbed off on everybody connected to it. I had a bunch of lean years where I had to do things, a lot of which I wasn't wildly enthusiastic about.
You can begin to see an amalgamation of cultures, the real beginning of one world. Ten years ago, it would have been impossible to imagine a Cockney singing group with a Southern Negro style and Indian and electronic music. I wonder if people have even noticed what a tremendous cultural signal the Beatles are.