I certainly believe that what we perceive as humans is just the tip of the iceberg. I don't necessarily believe in vampires or werewolves or that kind of thing, but I believe there is definitely a realm we don't necessarily have access to.
I try to tell the best story, and the story that has some heart and some genuine terror and some social commentary and some comedy and some romance and some sex and some violence.
There are times when I am directing, and there are a couple of moments I didn't get the way I wanted, but I know I still have other angles to shoot and I have to be done by noon; I move on.
I always choose to look, as much as one can, at the supernatural not being something that exists outside of nature, but a deeper, fundamental heart of nature that perhaps humans have lost touch with. It's a more primal thing than perhaps we are attuned to in our modern, self-aware way of life.
It’s hard to stay mad, when there’s so much beauty in the world. Sometimes I feel like I’m seeing it all at once, and it’s too much, my heart fills up like a balloon that’s about to burst... And then I remember to relax, and stop trying to hold on to it, and then it flows through me like rain and I can’t feel anything but gratitude for every single moment of my stupid little life...
Life is too mysterious to try to map it out. I've certainly lived long enough to know it will take you places you never thought it would take you - and some of those places are kind of wonderful.
I think it's very difficult, and it requires a tremendous amount of spiritual integrity and discipline, to not be a narcissist in a culture that encourages it every step of the way.
Most of us live in artificial environments and then we go to work in artificial environments and the world becomes something that you see through a window.
I was conveniently bisexual for a long time, and then I went, 'Come on, who am I kidding?' And I have to say, it was the single biggest step I took toward emotional well-being, to stop feeling like I had to hide who I am.
I think all writers are armchair psychologists to some degree or another, and I think a character's sexuality is fascinating. It's a great way to really get at the root of their identity, because it's such a personal thing.
A lot of times, the choice of the right song will save a scene. Or there will be a scene that's a little flat and you put in the right song and somehow it just comes alive.