As an artist, there's a sweet, jump-starting quality to [marijuana] for me. I've often felt telepathic and receptive to inexplicable messages my whole life. I can stave those off when I'm not high. When I'm high - well, they come in and there's less of a veil, so to speak. So if ever I need some clarity, or a quantum leap in my own consciousness, or a quantum leap in terms of writing something or getting an answer, it's a quick way for me to get it.
It's not just the 'Grammys' that I've pulled out of. I also pulled out of the English awards as well. The reason that I wanted to pull out was because I believe very much that the music industry as a whole is mainly concerned with material success.
And ultimately the people who produce my records, they know that they're here to serve the purpose of me expressing who I am at this period of time and augmenting that or pulling it forward and I love that process.
In a perfect world, there would be no censorship, because there would be no judgement. I find the hypocritical aspect disconcerting, to say the least. We can show people being murdered on television, but I'm not able to say "chickenshit" in public. At the same time, I understand that people are afraid. Because I think censorship is about fear. It's just fear being projected onto art.
What influenced me was Tori Amos, who was unapologetic about expressing anger through music, and Sinead O'Connor. Those two in particular were really moving for me, and very inspiring, before I wrote 'Jagged Little Pill.'
I just feel compelled to continue to be transparent. It just really levels the playing field and eradicates the shame that I have, or that one might have, about being human. So I'm going to just keep going.