I don't remember who was there, except Dora. I have not the least idea what we had for dinner, besides Dora. My impression is, that I dined off Dora, entirely, and sent away half-a-dozen plates untouched. I sat next to her. I talked to her. She had the most delightful little voice, the gayest little laugh, the pleasantest and most fascinating little ways, that ever led a lost youth into hopeless slavery. She was rather diminutive altogether. So much the more precious, I thought.
Those who love you are not fooled by mistakes you have made or dark images you hold about yourself. They remember your beauty when you feel ugly; your wholeness when you are broken; your innocence when you feel guilty; and your purpose when you are confused.
But when a young lady is to be a heroine, the perverseness of forty surrounding families cannot prevent her. Something must and will happen to throw a hero in her way.
Out of damp and gloomy days, out of solitude, out of loveless words directed at us, conclusions grow up in us like fungus: one morning they are there, we know not how, and they gaze upon us, morose and gray. Woe to the thinker who is not the gardener but only the soil of the plants that grow in him.
I have a very great fear of love. It is so personal. Let each bird fly with its own wings, and each fish swim its own course.--Morning brings more than love. And I want to be true to the morning.
A man's house burns down. The smoking wreckage represents only a ruined home that was dear through years of use and pleasant associations. By and by, as the days and weeks go on, first he misses this, then that, then the other thing. And when he casts about for it he finds that it was in that house. Always it is an essential - here was but one of its kind. It cannot be replaced. It was in that house. It is irrevocably lost...It will be years before the tale of lost essentials is complete, and not till then can he truly know the magnitude of his disaster.
So when you are listening to somebody, completely, attentively, then you are listening not only to the words, but also to the feeling of what is being conveyed, to the whole of it, not part of it.