Give children beauty, not the record of bloody slaughters and barbarous brawls, as they call history, or of the latitude and longitude of places nobody cares to visit, as they call geography.
In spite of the roaring of the young lions at the Union, and the screaming of the rabbits in the home of the vivisect, in spite of Keble College, and the tramways, and the sporting prints, Oxford still remains the most beautiful thing in England, and nowhere else are life and art so exquisitely blended, so perfectly made one.
But beauty, real beauty, ends where an intellectual expression begins. Intellect is in itself a mode of exaggeration, and destroys the harmony of any face. The moment one sits down to think, one becomes all nose, or all forehead, or something horrid. Look at the successful men in any of the learned professions. How perfectly hideous they are! Except, of course, in the Church. But then in the Church they don't think.
Bunbury? Oh, he was quite exploded. Exploded! Was he the victim of a revolutionary outrage? I was not aware that Mr. Bunbury was interested in social legislation. If so, he is well punished for his morbidity. My dear Aunt Augusta, I mean he was found out! The doctors found out that Bunbury could not , that is what I mean—so Bunbury died. He seems to have had great confidence in the opinion of his physicians.
The form of government that is most suitable to the artist is no government at all. ... One might point out how the Renaissance was great, because it sought to solve no social problem, and busied itself not about such things, but suffered the individual to develop freely, beautifully, and naturally, and so had great and individual artists, and great, individual men. One might point out how Louis XIV, by creating the modern state, destroyed the individualism of the artist.
In art, the public accept what has been, because they cannot alter it, not because they appreciate it. They swallow their classics whole, and never taste them.