every portrait that is painted with feeling is a portrait of the artist, not of the sitter. The sitter is merely the accident, the occasion. It is not he who is revealed by the painter; it is rather the painter who, on the coloured canvas, reveals himself.
A man is called affected, nowadays, if he dresses as he likes to dress. But in doing that he is acting in a perfectly natural manner. Affectation, in such matters, consists in dressing according to the views of one's neighbour, whose views, as they are the views of the majority, will probably be extremely stupid.
Ordinary people waited till life disclosed to them its secrets, but to the few, to the elect, the mysteries of life were revealed before the veil was drawn away. Sometimes this was the effect of art, and chiefly of the art of literature, which dealt immediately with the passions and the intellect.
"There is no such thing as a good influence, Mr. Gray. All influence is immoral — immoral from the scientific point of view." "Why?" "Because to influence a person is to give him one's own soul."
As for borrowing Mr. Whistler's ideas about art, the only thoroughly original ideas I have heard him express have had reference to his own superiority as a painter over painters greater than himself.
I am but too conscious of the fact that we are born in an age when only the dull are treated seriously, and I live in terror of not being misunderstood.
There is a tiny yellow daffodil, The butterfly can see it from afar, Although one summer evening's dew could fill Its little cup twice over, ere the star Had called the lazy shepherd to his fold, And be no prodigal.