I can't tell you where a poem comes from, what it is, or what it is for: nor can any other man. The reason I can't tell you is that the purpose of a poem is to go past telling, to be recognised by burning.
Me don't dip on nobody's side. Me don't dip on the black man's side, not the white man's side. Me dip on God's side, the one who create me and cause me to come from black and white.
People accuse journalism of being too personal; but to me it has always seemed far too impersonal. It is charged with tearing away the veils from private life; but it seems to me to be always dropping diaphanous but blinding veils between men and men. The Yellow Press is abused for exposing facts which are private; I wish the Yellow Press did anything so valuable. It is exactly the decisive individual touches that it never gives; and a proof of this is that after one has met a man a million times in the newspapers it is always a complete shock and reversal to meet him in real life.
Godlike the man who
sits at her side, who
watches and catches
that laughter
which (softly) tears me
to tatters: nothing is left of me, each time
I see her.
When there is love, there is no duty. When you love your wife, you share everything with her-your property, your trouble, your anxiety, your joy.
You do not dominate. You are not the man and she is not the woman to be used and thrown aside, a sort of breeding machine to carry on your name.
When there is love, the word duty disappears.
Virtue is more to man than either water or fire. I have seen men die from treading on water and fire, but I have never seen a man die from treading the course of virtue.