I might say that what amateurs call a style is usually only the unavoidable awkwardnesses in first trying to make something that has not heretofore been made. Almost no new classics resemble other previous classics. At first people see only the awkwardness. Then they are not so perceptible. When they show so very awkwardly people think these awkwardnesses are the style and many copy them. This is regrettable.
Without creative, independently thinking and judging personalities the upward development of society is as unthinkable as the development of the individual personality without the nourishing soil of the community.
I do consider myself an actress now. I think Dig and Transparent have given me the confidence. I've been working as an actress, it's something that I have to continue to earn, but I do feel like it's a part of me. It's something that I love, and to not acknowledge it would be false.
I'm always honored, but I think for every 100 of those that come along, one of them is actually going to happen. And, the fact that this was an offer on a major film that had a start date, was pretty impressive.
I like people and I like hearing their stories. The way that they deliver them is always very particular and I think that their accents are integral to that.
Half of Hollywood has more prosthetic in their body than I do, but we don't think of them as disabled. You amputate part of a nose, that's 'enhancement'. You put a prosthetic in a breast cavity, that's 'augmentation'. But you amputate part of a limb and put a prosthetic there, it's 'disability'?
Mia Michaels is to my mind one of the most interesting choreographers alive right now and my colleague and my friend from So You Think (You Can Dance).
Oh, love is very much a physical thing.... I realize that it's very complicated, and I'm sure it can't be traced to individual neurons and hormones, but I think it's very much a physiological sensation that takes place in the brain.