At any innocent tea-table we may easily hear a man say, "Life is not worth living." We regard it as we regard the statement that it is a fine day; nobody thinks that it can possibly have
any serious effect on the man or on the world. And yet if that utterance were really believed, the world would stand on its head.
I think that the leaf of a tree, the meanest insect on which we trample, are in themselves arguments more conclusive than any which can be adduced that some vast intellect animates Infinity.
I think one has to understand, not as a theory, not as a speculative, entertaining concept, but rather as an actual fact - that we are the world and the world is us. The world is each one of us; to feel that, to be really committed to it and to nothing else, brings about a feeling of great responsibility and an action that must not be fragmentary, but whole.
I think most artists feel like they're outside society - no matter how many accolades they receive, or how much money is in your bank account, whatever is going on in your life on the professional side.
I would like, in my life, to always be doing things I'm proud of. I know that probably won't happen all the time. But I'd prefer to be telling stories I can be proud of and understand why they're being told. I do watch a lot of films and TV, but sometimes I think: "Why the hell did you make that then?" I won't say what they are though.
The crisis is not in the outward technological advancement, but rather in the way we think, and the way we live, and the way we feel. I think that is where a revolution must take place.
The man who does not wish to belong to the mass needs only to cease taking himself easily; let him follow his conscience, which calls to him: "Be your self! All you are now doing, thinking, desiring, is not you yourself.
I'm ashamed that we've progressed as little as we have sometimes. I think the template that every band looks at is The Beatles and how much they progressed in six or seven years. But if you're seeing it, good. Hopefully we're evolving. It's hard to tell from here.
When my grandmother died, I realized that even if I had millions of dollars, I couldn't find her anywhere on earth. My next thought was that I would die. I looked at my life and thought, "I'm afraid to die." I concluded that whether I was afraid or not, I would die. It was one of the most important crossroads in my life, once I realized that no matter what, I would do this thing, the next step was to think, "If I am going to do the most difficult and frightening thing - dying - is it possible that I could do some difficult and impossible things that are good?"
I think that we are starting to get much more conscious about, you know, the importance of the spiritual path, and we are fulfilling it by paying attention to ourselves.
I think there's an element in Milady where she sees her own innocence in D'Artagnan. In the very beginning, she's using him in a pretty cynical way. When she gets to know him, she sees qualities in him that she recognizes and it's almost like trying to remake the past, but of course, it doesn't work.