Think about that. Two hundred and eighty-five new or expanded programs, $2 trillion more in new spending, and not one new bureaucrat to file out the forms or answer the phones?
Your countenance perfectly informs me that you were in company last night with the person, whom you think the most agreeable in the world, the person who interests you at this present time, more than all the rest of the world put together.
In the '70s, everybody thought drugs were just good times. People didn't really know about drug addiction, or that such a thing existed. When I grew up in the '70s I thought you had to take drugs. It was almost like I didn't think you had a choice.
I think part of the reason that I have been successful, though, despite maybe not always fitting my message into the pre-packaged formulas, is there is this whole other media ecology out there of the Internet and Instagram and memes and talk shows and comedy, and I'm pretty good at that.
Nothing pleases people more than to go on thinking what they have always thought, and at the same time imagine that they are thinking something new and daring: it combines the advantage of
security and the delight of adventure.
If you only think about yourself - how much money can I make, what can I buy, how nice is my house, what kind of fancy car do I have? - over the long term, I think, you get bored. I think your life becomes diminished. The way to live a full life is to think: What can I do for others?
The ignorant and the deluded are, I think, in a strange way to be envied. That which is not known of does not trouble us, while an imagined but insubstantial peril does not harm us. To know the truths behind reality is a far greater burden.
When I was twelve, the passage from silent film to the talkies had an impact on me-I still watch silent films. I don't think that there is any such thing as an old film; you don't say, 'I read an old book by Flaubert,' or 'I saw an old play by Moliere.'
I think American actors are much more intimidated by Shakespeare. I actually want to do this Shakespeare play in New York, but I think it's interesting that there's this gaping hole in the repertoire in the American theater, which is Shakespeare. It's hardly ever done, compared to how often it's done in other companies, not just Britain. Someone from the Roundabout Theater Company - I said, "You never do Shakespeare." And he said, "Yes, we're not very good at it." And I thought, "What a terrible thing to say.".
I look on Sculpture as history. I do not think the Apollo and the Jove impossible in flesh and blood. Every trait the artist recorded in stone, he had seen in life, and better than his copy.