I know nothing of philosophical philanthropy. But I know what I have seen, and what I have looked in the face in this world here, where I find myself. And I tell you this, my friend, that there are people (men and women both, unfortunately) who have no good in them-none. That there are people whom it is necessary to detest without compromise. That there are people who must be dealt with as enemies of the human race. That there are people who have no human heart, and who must be crushed like savage beasts and cleared out of the way.
Now I am in the garden at the back . . . a very preserve of butterflies as I remember it, with a high fence, and a gate . . . where the fruit clusters on the trees, riper and richer than fruit has ever been since, in any other garden, and where my mother gathers some in a basket while I stand by, bolting furtive gooseberries, and trying to look unnerved.
And can it be that in a world so full and busy the loss of one creature makes a void so wide and deep that nothing but the width and depth of eternity can fill it up!
The Christmas season reminds us that a demonstration of religion is always much better than a definition of it...especially in front of the kids.
Perhaps the best Yuletide decorations are to be wreathed in smiles and wrapped in hugs.
The miracle of Christmas is that a baby can be so decisive.
It is good to be children sometimes, and never better than at Christmas, when its mighty founder was a child himself.
The forces that affect our lives, the influences that mold and shape us, are often like whispers in a different room, teasingly indistinct, apprehended only with difficulty.
Dombey sat in the corner of the darkened room in the great arm-chair by the bedside, and Son lay tucked up warm in a little basket bedstead, carefully disposed on a low settee immediately in front of the fire and close to it, as if his constitution were analogous to that of a muffin, and it was essential to toast him brown while he was very new.
Houses were knocked down; streets broken through and stopped; deep pits and trenches dug in the ground; enormous heaps of earth and clay thrown up; buildings that were undermined and shaking, propped by great beams of wood. In short, the yet unfinished and unopened Railroad was in progress.
Yet, I had nothing else to tell; unless, indeed, I were to confess (which might be of less moment still), that no one can ever believe this Narrative, in the reading, more than I believed it in the writing.
To see the butcher slap the steak before he laid it on the block, and give his knife a sharpening, was to forget breakfast instantly. It was agreeable too - it really was - to see him cut it off so smooth and juicy. There was nothing savage in the act, although the knife was large and keen; it was a piece of art, high art; there was delicacy of touch, clearness of tone, skilful handling of the subject, fine shading. It was the triumph of mind over matter; quite.
It was a murky confusion — here and there blotted with a color like the color of the smoke from damp fuel — of flying clouds tossed up into most remarkable heaps, suggesting greater heights in the clouds than there were depths below them to the bottom of the deepest hollows in the earth, through which the wild moon seemed to plunge headlong, as if, in a dread disturbance of the laws of nature, she had lost her way and were frightened.
In the little world in which children have their existence, whosoever brings them up, there is nothing so finely perceived and so finely felt, as injustice.
While the flowers, pale and unreal in the moonlight, floated away upon the river; and thus do greater things that once were in our breasts, and near our hearts, flow from us to the eternal sea.
The bright, frosty day declined as they walked and spoke together. The sun dipped in the river far behind them, and the old city lay red before them, as their walk drew to a close. The moaning water cast its seaweed duskily at their feet, when they turned to leave its margin; and the rooks hovered above them with hoarse cries, darker splashes in the darkening air.
You know what I am going to say. I love you. What other men may mean when they use that expression, I cannot tell. What I mean is that I am under the influence of some tremendous attraction which I have resisted in vain, and which overmasters me. You could draw me to fire, you could draw me to water, you could draw me to the gallows, you could draw me to any death, you could draw me to anything I have most avoided, you could draw me to any exposure and disgrace. This and the confusion of my thoughts, so that I am fit for nothing, is what I mean by your being the ruin of me.