Father Time is not always a hard parent and though he tarries for none of his children, often lays his hand lightly upon those who have used him well; making them old men and women inexorably enough, but leaving their hearts and spirits young and in full vigor. With such people the gray head is but the impression of the old fellow's hand in giving them his blessing, and every wrinkle but a notch in the quiet calendar of a well-spent life.
Mrs. Boffin and me, ma'am, are plain people, and we don't want to pretend to anything, nor yet to go round and round at anything because there's always a straight way to everything.
There are people enough to tread upon me in my lowly state, without my doing outrage to their feelings by possessing learning. Learning ain't for me. A person like myself had better not aspire. If he is to get on in life, he must get on 'umbly, Master Copperfield!
The rain and hail pattered against the glass; the chimneys quaked and rocked; the crazy casement rattled with the wind, as though an impatient hand inside were striving to burst it open. But no hand was there, and it opened no more.
Night, like a giant, fills the church, from pavement to roof, and holds dominion through the silent hours. Pale dawn again comes peeping through the windows: and, giving place to day, sees night withdraw into the vaults, and follows it, and drives it out, and hides among the dead.
Then idiots talk....of Energy. If there is a word in the dictionary under any letter from A to Z that I abominate, it is energy. It is such a conventional superstition, such parrot gabble! What the deuce!....But show me a good opportunity, show me something really worth being energetic about, and I'll show you energy.
There is something good in all weathers. If it doesn't happen to be good for my work today, it's good for some other man's today... and will come around for me tomorrow.
Marley was dead, to begin with. There is no doubt whatever about that. The register of his burial was signed by the clergyman, the clerk, the undertaker, and the chief mourner. Scrooge signed it. And Scrooge's name was good upon 'Change for anything he chose to put his hand to. Old Marley was as dead as a door-nail.
The unqualified truth is, that when I loved Estella with the love of a man, I loved her simply because I found her irresistible. Once for all; I knew to my sorrow, often and often, if not always, that I loved her against reason, against promise, against peace, against hope, against happiness, against all discouragement that could be. Once for all; I love her none the less because I knew it, and it had no more influence in restraining me, than if I had devoutly believed her to be human perfection.
I don't remember forms or faces now, but I know the girl was beautiful. I know she was; for in the bright moonlight nights, when I start from my sleep, and all is quiet about me, I see, standing still and motionless in one corner of this cell, a slight and wasted figure with long black hair, which streaming down her back, stirs with no earthly wind, and eyes that fix their gaze on me, and never wink or close.
This reminds me, Godmother, to ask you a serious question. You are as wise as wise can be (having been brought up by the fairies), and you can tell me this: Is it better to have had a good thing and lost it, or never to have had it?
"Hope to the last!" said Newman, clapping him on the back. "Always hope; that's dear boy. Never leave off hoping; it don't answer. Do you mind me, Nick? it don't answer. Don't leave a stone unturned. It's always something, to know you've done the most you could. But, don't leave off hoping, or it's of no use doing anything. Hope, hope, to the last!"
How beautiful you are! You are more beautiful in anger than in repose. I don't ask you for your love; give me yourself and your hatred; give me yourself and that pretty rage; give me yourself and that enchanting scorn; it will be enough for me.
Some of the craftiest scoundrels that ever walked this earth . . . will gravely jot down in diaries the events of every day, and keep a regular debtor and creditor account with heaven, which shall always show a floating balance in their own favour.
It is the fate of most men who mingle with the world, and attain even the prime of life, to make many real friends, and lose them in the course of nature. It is the fate of all authors or chroniclers to create imaginary friends, and lose them in the course of art. Nor is this the full extent of their misfortunes; for they are required to furnish an account of them besides.