The splendors of the firmament of time May be eclipsed, but are extinguished not; Like stars to their appointed height they climb And death is a low mist which cannot blot The brightness it may veil.
No one has yet been found resolute enough in dogmatizing to deny that Nature made man equal; that society has destroyed this equality is a truth not more incontrovertible.
Love, from its awful throne of patient power
In the wise heart, from the last giddy hour
Of dread endurance, from the slippery, steep,
And narrow verge of crag-like agony, springs
And folds over the world its healing wings.
Everytime we say that god is the author of some phenomenon, that signifies that we are ignorant of how such a phenomenon was caused by the forces of nature.
A story of particular facts is a mirror which obscures and distorts that which should be beautiful; poetry is a mirror which makes beautiful that which it distorts.
Thus suicidal selfishness, that blights The fairest feelings of the opening heart, Is destined to decay, whilst from the soil Shall spring all virtue, all delight, all love, And judgment cease to wage unnatural war With passion's unsubduable array.
A husband and wife ought to continue united so long as they love each other. Any law which should bind them to cohabitation for one moment after the decay of their affection would be a most intolerable tyranny, and the most unworthy of toleration.
Had this author [Sir W Drummond Academical Questions, chap. iii.], instead of inveighing against the guilt and absurdity of atheism, demonstrated its falsehood, his conduct would have, been more suited to the modesty of the skeptic and the toleration of the philosopher.
Whatever may be his true and final destination, there is a spirit within him at enmity with nothingness and dissolution. This is the character of all life and being.
Sorrow, terror, anguish, despair itself are often the chosen expressions of an approximation to the highest good. Our sympathy in tragic fiction depends on this principle; tragedy delights by affording a shadow of the pleasure which exists in pain. This is the source also of the melancholy which is inseparable from the sweetest melody. The pleasure that is in sorrow is sweeter than the pleasure of pleasure itself.