Life and the world, or whatever we call that which we are and feel, is an astonishing thing. The mist of familiarity obscures from us the wonder of our being. We are struck with admiration at some of its transient modifications, but it is itself the great miracle.
Let the advocate of animal food, force himself to a decisive experiment on its fitness, and as Plutarch recommends, tear a living lamb with his teeth, and plunging his head into its vitals, slake his thirst with the steaming blood; when fresh from the deed of horror let him revert to the irresistible instincts of nature that would rise in judgment against it, and say, Nature formed me for such work as this. Then, and then only, would he be consistent.
For the Sensitive Plant has no bright flower; Radiance and odour are not its dower; It loves, even like Love, its deep heart is full, It desires what it has not, the beautiful.
[L]ike thee to those in sorrow, Comes to bid a sweet good-morrow To the rough year just awake In its cradle on the brake. The brightest hour of unborn Spring, Through the winter wandering, Found, it seems, the halcyon Morn To hoar February born.
I love tranquil solitude, And such society As is quiet, wise, and good; Between thee and me What difference? but thou dost possess The things I seek, not love them less.
I know The past and thence I will essay to glean A warning for the future, so that man May profit by his errors, and derive Experience from his folly; For, when the power of imparting joy Is equal to the will, the human soul Requires no other heaven.
Thou hast a voice, great Mountain, to repeal. Large codes of fraud and woe; not understood by all, but which the wise, and great, and good interpret, or make felt, or deeply feel.
The cemetery is an open space among the ruins, covered in winter with violets and daisies. It might make one in love with death, to think that one should be buried in so sweet a place.
The beauty of the internal nature cannot be so far concealed by its accidental vesture, but that the spirit of its form shall communicate itself to the very disguise and indicate the shape it hides from the manner in which it is worn. A majestic form and graceful motions will express themselves through the most barbarous and tasteless costume.