I loved her and I loved no one else and we had a lovely magic time while we were alone. I worked well and we made great trips, and I thought we were invulnerable again, and it wasn't until we were out of the mountains in late spring, and back in Paris, that the other thing started again.
(World War I) was the most colossal, murderous, mismanaged butchery that has ever taken place on earth. Any writer who said otherwise lied, So the writers either wrote propaganda, shut up, or fought.
There is a great inertia about all military operations of any size. But once this inertia has been overcome and underway they are almost as hard to arrest as to initiate.
Organizations for writers palliate the writer's loneliness, but I doubt if they improve his writing.... For he does his work alone and if he is a good enough writer he must face eternity, or the lack of it, each day.
We think. We are not peasants. We are mechanics. But even the peasants know better than to believe in a war. Everybody hates war. There is a class that control a country that is stupid and down not realise anything and never can. That is why we have this war. Also they make money out of it.
Anglers have a way of romanticizing their battles with fish and of forgetting that the fish has a hook in his mouth, his gullet, or his belly and that his gameness is really an extreme of panic in which he runs, leaps, and pulls to get away until he dies. It would seem to be enough advantage to the angler that the fish has the hook in his mouth rather than the angler.
It was like certain dinners I remember from the war. There was much wine, an ignored tension, and a feeling of things coming that you could not prevent happening. Under the wine I lost the disgusted feeling and was happy. It seemed they were all such nice people.
There is nothing you can do except try to write it the way that it was. So you must write each day better than you possibly can and use the sorrow that you have now to make you know how the early sorrow came. And you must always remember the things you believed because if you know them they will be there in the writing and you won’t betray them. The writing is the only progress you make.
Of all men the drunkard is the foulest. The thief when he is not stealing is like another. The extortioner does not practice in the home. The murderer when he is at home can wash his hands. But the drunkard stinks and vomits in this own bed and dissolves his organs in alcohol.
What I learned constructive about women, not just ethics like never blame them if they pox you because somebody poxed them and lots of times they don't even know they have it — that's in the first reader for squares — is, no matter how they get, always think of them the way they were on the best day they ever had.
You can write any time people will leave you alone and not interrupt you. Or rather you can if you will be ruthless enough about it. But the best writing is certainly when you are in love.
He had always known what I did not know and what, when I learned it, I was always able to forget. But I did not know that then, although I learned it later.
Only one marriage I regret. I remember after I got that marriage license I went across from the license bureau to a bar for a drink. The bartender said, "What will you have, sir?" And I said, "A glass of hemlock."