For age is opportunity no less Than youth itself, though in another dress, And as the evening twilight fades away The sky is filled with stars, invisible by day.
Perhaps there lives some dreamy boy, untaught
In schools, some graduate of the field or street,
Who shall become a master of art,
An admiral sailing the high seas of thought
Fearless and first, and steering with his fleet
For lands not yet laid down in any chart.
It is folly to pretend that one ever wholly recovers from a disappointed passion. Such wounds always leave a scar. There are faces I can never look upon without emotion, there are names I can never hear spoken without almost starting.
Time has a doomsday book, upon whose pages he is continually recording illustrious names. But as often as a new name is written there, an old one disappears. Only a few stand in illuminated characters never to be effaced.
Let us labor for an inward stillness-- An inward stillness and an inward healing. That perfect silence where the lips and heart Are still, and we no longer entertain Our own imperfect thoughts and vain opinions, But God alone speaks to us and we wait In singleness of heart that we may know His will, and in the silence of our spirits, That we may do His will and do that only
He had mittens, Minjekahwun, Magic mittens made of deer-skin; When upon his hands he wore them, He could smite the rocks asunder, He could grind them into powder.
It is the Harvest Moon! On gilded vanes and roofs of villages, on woodland crests and their aerial neighborhoods of nests deserted, on the curtained window-panes of rooms where children sleep, on country lanes and harvest-fields, its mystic splendor rests.
O lovely river of Yvette!
O darling river! like a bride,
Some dimpled, bashful, fair Lisette
Thou goest to wed the Orge's tide.
O lovely river Yvette!
O darling stream! on balanced wings
The wood-birds sang the chansonnette
That here a wandering poet sings.
In old age our bodies are worn-out instruments, on which the soul tries in vain to play the melodies of youth. But because the instrument has lost its strings, or is out of tune, it does not follow that the musician has lost his skill.
No action, whether foul or fair, Is ever done, but it leaves somewhere A record, written by fingers ghostly, As a blessing or a curse, and mostly In the greater weakness or greater strength Of the acts which follow it.