The Helicon of too many poets is not a hill crowned with sunshine and visited by the Muses and the Graces, but an old, mouldering house, full of gloom and haunted by ghosts.
I saw the long line of the vacant shore, The sea-weed and the shells upon the sand, And the brown rocks left bare on every hand, As if the ebbing tide would flow no more.
I shot an arrow into the air, It fell to earth, I knew not where; For, so swiftly it flew, the sight Could not follow it in its flight. I breathed a song into the air, It fell to earth, I knew not where; For who has sight so keen and strong, That it can follow the flight of song? Long, long afterward, in an oak I found the arrow, still unbroke; And the song, from beginning to end, I found again in the heart of a friend.
For it is the fate of a woman Long to be patient and silent, to wait like a ghost that is speechless, Till some questioning voice dissolves the spell of its silence. Hence is the inner life of so many suffering women Sunless and silent and deep, like subterranean rivers Runnng through caverns of darkness.
Perhaps the chief cause which has retarded the progress of poetry in America, is the want of that exclusive cultivation, which so noble a branch of literature would seem to require. Few here think of relying upon the exertion of poetic talent for a livelihood, and of making literature the profession of life. The bar or the pulpit claims the greater part of the scholar's existence, and poetry is made its pastime.
Men should soon make up their minds to be forgotten, and look about them, or within them, for some higher motive in what they do than the approbation of men, which is fame, namely, their duty; that they should be constantly and quietly at work, each in his sphere, regardless of effects, and leaving their fame to take care of itself.