Tis pleasant purchasing our fellow-creatures; And all are to be sold, if you consider Their passions, and are dext'rous; some by features Are brought up, others by a warlike leader; Some by a place--as tend their years or natures; The most by ready cash--but all have prices, From crowns to kicks, according to their vices.
What is the end of Fame? 'tis but to fill A certain portion of uncertain paper: Some liken it to climbing up a hill, Whose summit, like all hills, is lost in vapour: For this men write, speak, preach, and heroes kill, And bards burn what they call their "midnight taper," To have, when the original is dust, A name, a wretched picture, and worse bust.
There's music in the sighing of a reed; There's music in the gushing of a rill; There's music in all things, if men had ears; The earth is but the music of the spheres.
It is by far the most elegant worship, hardly excepting the Greek mythology. What with incense, pictures, statues, altars, shrines, relics, and the real presence, confession, absolution, - there is something sensible to grasp at. Besides, it leaves no possibility of doubt; for those who swallow their Deity, really and truly, in transubstantiation, can hardly find any thing else otherwise than easy of digestion.
Yet truth will sometimes lend her noblest fires, And decorate the verse herself inspires: This fact, in virtue's name, let Crabbe attest,- Though Nature's sternest painter, yet the best.
I can't but say it is an awkward sight To see one's native land receding through The growing waters; it unmans one quite, Especially when life is rather new.