Which cheers the sad, revives the old, inspires The young, makes Weariness forget his toil, And Fear her danger; opens a new world When this, the present, palls.
I have not loved the World, nor the World me; I have not flattered its rank breath, nor bowed To its idolatries a patient knee, Nor coined my cheek to smiles,-nor cried aloud In worship of an echo.
The great object of life is Sensation - to feel that we exist - even though in pain - it is this "craving void" which drives us to gaming - to battle - to travel - to intemperate but keenly felt pursuits of every description whose principal attraction is the agitation inseparable from their accomplishment.
The reason that adulation is not displeasing is that, though untrue, it shows one to be of consequence enough, in one way or other, to induce people to lie.
A sleep without dreams, after a rough day of toil, is what we covet most; and yet
How clay shrinks back from more quiescent clay!
The very Suicide that pays his debt at once without installments
(an old way of paying debts, which creditors regret)
Lets out impatiently his rushing breath, less from disgust of life than dread of death.
The castled crag of Drachenfels, Frowns o'er the wide and winding Rhine, Whose breast of waters broadly swells Between the banks which bear the vine, And hills all rich with blossom'd trees, And fields which promise corn and wine, And scatter'd cities crowning these, Whose far white walls along them shine.