For mightier far
Than strength of nerve or sinew, or the sway
Of magic potent over sun and star,
Is love, though oft to agony distrest,
And though his favourite be feeble woman's breast.
I wandered lonely as a cloud That floats on high o'er vales and hills When all at once I saw a crowd A host of golden daffodils Beside the lake beneath the trees Fluttering and dancing in the breeze.
Sweet is the lore which Nature brings;
Our meddling intellect
Mis-shapes the beauteous forms of things
We murder to dissect.
Enough of Science and of Art;
Close up these barren leaves;
Come forth, and bring with you a heart
That watches and receives.
I should dread to disfigure the beautiful ideal of the memories of illustrious persons with incongruous features, and to sully the imaginative purity of classical works with gross and trivial recollections.
The sounding cataract Haunted me like a passion; the tall rock, The mountain, and the deep and gloomy wood, An appetite; a feeling and a love that had no need of a remoter charm by thought supplied, nor any interest Unborrowed from the eye.
It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.... They both speak by and to the same organs; the bodies in which both of them are clothed may be said to be of the same substance, their affections are kindred, and almost identical, not necessarily differing even in degree; Poetry sheds no tears "such as Angels weep," but natural and human tears; she can boast of no celestial ichor that distinguishes her vital juices from those of prose; the same human blood circulates through the veins of them both.
Tis not in battles that from youth we train The Governor who must be wise and good, And temper with the sternness of the brain Thoughts motherly, and meek as womanhood.
The Poet, gentle creature as he is, Hath, like the Lover, his unruly times; His fits when he is neither sick nor well, Though no distress be near him but his own Unmanageable thoughts.