[On The Waste Land:] Various critics have done me the honor to interpret the poem in terms of criticism of the contemporary world, have considered it, indeed, as an important bit of social criticism. To me it was only the relief of a personal and wholly insignificant grouse against life; it is just a piece of rhythmical grumbling.
I stood in Venice, on the Bridge of Sighs; A palace and a prison on each hand; I saw from out the wave of her structure's rise As from the stroke of the enchanter's wand: A thousand years their cloudy wings expand Around me, and a dying Glory smiles O'er the far times, when many a subject land Look'd to the winged Lion's marble pines, Where Venice sate in state, throned on her hundred isles.
As restrictions and prohibitions are multiplied the people grow poorer and poorer. When they are subjected to overmuch government, the land is thrown into confusion.
A map of the world that does not include Utopia is not worth even glancing at, for it leaves out the one country at which Humanity is always landing. And when Humanity lands there, it looks out, and, seeing a better country, sets sail. Progress is the realisation of Utopias.
Our day of dependence, our long apprenticeship to the learning of other lands, draws to a close. The millions, that around us arerushing into life, cannot always be fed on the sere remains of foreign harvests.
We believe that salvation is to be found in wholesome work in a beloved land. Work will provide our people with the bread of tomorrow, and moreover, with the honor of the tomorrow, the freedom of the tomorrow.
Land monopoly is not only monopoly, but it is by far the greatest of monopolies; it is a perpetual monopoly, and it is the mother of all other forms of monopoly.
It has been proved that the land can exist without the country - and be better for it; it has not been proved ... that the country can exist without the land.
The Arab-Israeli conflict is also in many ways a conflict about status: it's a war between two peoples who feel deeply humiliated by the other, who want the other to respect them. Battles over status can be even more intractable than those over land or water or oil.
[On The Waste Land:] Various critics have done me the honor to interpret the poem in terms of criticism of the contemporary world, have considered it, indeed, as an important bit of social criticism. To me it was only the relief of a personal and wholly insignificant grouse against life; it is just a piece of rhythmical grumbling.