The question of armaments, whether on land or sea, is the most immediately and intensely practical question connected with the future fortunes of nations and of mankind.
[On The Waste Land:] Various critics have done me the honor to interpret the poem in terms of criticism of the contemporary world, have considered it, indeed, as an important bit of social criticism. To me it was only the relief of a personal and wholly insignificant grouse against life; it is just a piece of rhythmical grumbling.
Today, nobody sees, or wishes to see, that in our time the enslavement of the majority of men is based on money taxes, levied on land and otherwise, which are collected by government from the subjects.
A map of the world that does not include Utopia is not worth even glancing at, for it leaves out the one country at which Humanity is always landing. And when Humanity lands there, it looks out, and, seeing a better country, sets sail. Progress is the realisation of Utopias.
We are consuming our forests three times faster than they are being reproduced. Some of the richest timber lands of this continent have already been destroyed, and not replaced, and other vast areas are on the verge of destruction. Yet forests, unlike mines, can be so handled as to yield the best results of use, without exhaustion, just like grain fields.
I stood in Venice, on the Bridge of Sighs; A palace and a prison on each hand; I saw from out the wave of her structure's rise As from the stroke of the enchanter's wand: A thousand years their cloudy wings expand Around me, and a dying Glory smiles O'er the far times, when many a subject land Look'd to the winged Lion's marble pines, Where Venice sate in state, throned on her hundred isles.
He whom you see-along the downward arc- was William, and the land that mourns his death, for living Charles and Frederick, now laments; now he has learned how Heaven loves the just ruler, and he would show this outwardly as well, so radiantly visible.
Our native land charms us with inexpressible sweetness, and never never allows us to forget that we belong to it.
[Lat., Nescio qua natale solum dulcedine captos
Ducit, et immemores non sinit esse sui.]
These days there seems to be nowhere left to explore, at least on the land area of the Earth. Victims of their very success, the explorers now pretty much stay home.
Yet still there whispers the small voice within, Heard through Gain's silence, and o'er Glory's din; Whatever creed be taught or land be trod, Man's conscience is the oracle of God.
For most of the world, there's no greater symbol of America than the Statue of Liberty. It has been an inspiration to generations of immigrants. One of these immigrants was a poet-writer named Ameen Rihani. Gazing at her lamp held high, he wondered whether her sister might be erected in the lands of his Arab forefathers. Here is how he put it: "When will you turn your face toward the East, oh Liberty?"