[On The Waste Land:] Various critics have done me the honor to interpret the poem in terms of criticism of the contemporary world, have considered it, indeed, as an important bit of social criticism. To me it was only the relief of a personal and wholly insignificant grouse against life; it is just a piece of rhythmical grumbling.
We are consuming our forests three times faster than they are being reproduced. Some of the richest timber lands of this continent have already been destroyed, and not replaced, and other vast areas are on the verge of destruction. Yet forests, unlike mines, can be so handled as to yield the best results of use, without exhaustion, just like grain fields.
Instability mostly comes from the interface between the fact that the banks (or shadow banks) can create credit, money, and purchasing power in infinite quantities if we don't constrain them, and the fact that credit is primarily created to fund the purchase of urban real estate and land, which is somewhat fixed in supply.
The misconception of totalitarianism is that freedom can be imprisoned. This is not the case. When you constrain freedom, freedom will take flight and land on a windowsill.
I am excessively fond of a cottage; there is always so much comfort, so much elegance about them. And I protest, if I had any money to spare, I should buy a little land and build one myself, within a short distance of London, where I might drive myself down at any time, and collect a few friends about me and be happy. I advise everybody who is going to build, to build a cottage.
There are some monuments where the land is so widespread, they just encompass as much as possible. And the integral part of the - the precious part, so to speak - I guess all land is precious, but the part that the people uniformly would not want to spoil, will not be despoiled. But there are parts of the monument lands where we can explore without affecting the overall environment.
Mild is the slow necessity of death;
The tranquil spirit fails beneath its grasp,
Without a groan, almost without a fear,
Resigned in peace to the necessity;
Calm as a voyager to some distant land,
And full of wonder, full of hope as he.
The lights of Saxon England were going out, and in the gathering darkness a gentle, grey-beard prophet foretold the end. When on his death-bed Edward spoke of a time of evil that was coming upon the land his inspired mutterings struck terror into the hearers.
For most of the world, there's no greater symbol of America than the Statue of Liberty. It has been an inspiration to generations of immigrants. One of these immigrants was a poet-writer named Ameen Rihani. Gazing at her lamp held high, he wondered whether her sister might be erected in the lands of his Arab forefathers. Here is how he put it: "When will you turn your face toward the East, oh Liberty?"