Of all the questions which can come before this nation, short of the actual preservation of its existence in a great war, there is none which compares in importance with the great central task of leaving this land even a better land for our descendants than it is for us.
[On The Waste Land:] Various critics have done me the honor to interpret the poem in terms of criticism of the contemporary world, have considered it, indeed, as an important bit of social criticism. To me it was only the relief of a personal and wholly insignificant grouse against life; it is just a piece of rhythmical grumbling.
The land-grant university system is being built on behalf of the people, who have invested in these public universities their hopes, their support, and their confidence.
R2-D2 is like that, but I think because he doesn't speak actual words, his jokes don't land. It's really a hindrance. And the same with BB-8. But Artoo is a lot stronger.
I grew up in the country, which is probably why I'm so attached to the land. I love it. I love the lay of the land. I love walking the land. And I love knowing that it's my land.
God is not on the side of any nation, yet we know He is on the side of justice... Our finest moments have come when we faithfully served the cause of justice for our own citizens, and for the people of other lands.
There are some monuments where the land is so widespread, they just encompass as much as possible. And the integral part of the - the precious part, so to speak - I guess all land is precious, but the part that the people uniformly would not want to spoil, will not be despoiled. But there are parts of the monument lands where we can explore without affecting the overall environment.
Naught is possessed, neither gold, nor land nor love, nor life, nor peace, nor even sorrow nor death, nor yet salvation. Say of nothing: It is mine. Say only: It is with me.
The question of armaments, whether on land or sea, is the most immediately and intensely practical question connected with the future fortunes of nations and of mankind.
People were saying that Southern folk song was dead, that the land that had produced American jazz, the blues, the spirituals, the mountain ballads and the work songs had gone sterile.
For most of the world, there's no greater symbol of America than the Statue of Liberty. It has been an inspiration to generations of immigrants. One of these immigrants was a poet-writer named Ameen Rihani. Gazing at her lamp held high, he wondered whether her sister might be erected in the lands of his Arab forefathers. Here is how he put it: "When will you turn your face toward the East, oh Liberty?"