When a king sets himself to bandy against the highest court and residence of all regal powers, he then, in the single person of a man, fights against his own majesty and kingship.
(That last infirmity of noble mind) To scorn delights, and live laborious days; But the fair guerdon when we hope to find, And think to burst out into sudden blaze, Comes the blind Fury with th' abhorred shears And slits the thin-spun life.
A thousand fantasies Begin to throng into my memory, Of calling shapes, and beckoning shadows dire, And airy tongues that syllable men's names On sands and shores and desert wildernesses
His spear, to equal which the tallest pine Hewn on Norwegian hills to be the mast Of some great ammiral were but a wand, He walk'd with to support uneasy steps Over the burning marle.
But that from us aught should ascend to Heav'n So prevalent as to concern the mind Of God, high-bless'd, or to incline His will, Hard to belief may seem; yet this will prayer.
God is decreeing to begin some newand great period in his Church, even to the reforming of Reformation itself. What does he then but reveal Himself to his servants, and as his manner is, first to his Englishmen?
With eyes Of conjugal attraction unreprov'd. Imparadised in one another's arms. With thee conversing I forget all time. And feel that I am happier than I know.
Thus with the year Seasons return; but not to me returns Day, or the sweet approach of even or morn, Or sight of vernal bloom or summer's rose, Or flocks, or herds, or human face divine; But cloud instead, and ever-during dark Surrounds me; from the cheerful ways of men Cut off, and for the book of knowledge fair Presented with a universal blank Of Nature's works, to me expung'd and raz'd, And wisdom at one entrance quite shut out.
[Rhyme is] but the invention of a barbarous age, to set off wretched matter and lame Meter; ... Not without cause therefore some both Italian and Spanish poets of prime note have rejected rhyme, ... as have also long since our best English tragedies, as... trivial and of no true musical delight; which [truly] consists only in apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another, not in the jingling sound of like endings, a fault avoided by the learned ancients both in poetry and all good oratory.