Bring the rathe primrose that forsaken dies, The tufted crow-toe, and pale gessamine, The white pink, and the pansy freaked with jet, The glowing violet, The musk-rose, and the well attir'd woodbine, With cowslips wan that hang the pensive head, And every flower that sad embroidery wears: Bid amaranthus all his beauty shed, And daffadillies fill their cups with tears, To strew the laureate hearse where Lycid lies.
I will point ye out the right path of a virtuous and noble Education; laborious indeed at first ascent, but else so smooth, so green, so full of goodly prospect, and melodious sounds on every side, that the harp of Orpheus was not more charming.
These eyes, tho' clear To outward view of blemish or of spot, Bereft of light, their seeing have forgot, Nor to their idle orbs doth sight appear Of sun, or moon, or star, throughout the year, Or man, or woman. Yet I argue not Against Heaven's hand or will, not bate a jot Of heart or hope; but still bear up and steer Right onward.
Nothing is here for tears, nothing to wail Or knock the breast, no weakness, no contempt, Dispraise, or blame,-nothing but well and fair, And what may quiet us in a death so noble.
. . . for beauty stands
In the admiration only of weak minds
Led captive. Cease to admire, and all her plumes
Fall flat and shrink into a trivial toy,
At every sudden slighting quite abash'd.
For the air of youth,
Hopeful and cheerful, in thy blood will reign
A melancholy damp of cold and dry
To weigh thy spirits down, and last consume
The balm of life.