Ah gentle pair, ye little think how nigh Your change approaches, when all these delights Will vanish and deliver ye to woe, More woe, the more your taste is now of joy.
Wherefore did Nature pour her bounties forth
With such a full and unwithdrawing hand,
Covering the earth with odours, fruits, flocks,
Thronging the seas with spawn innumerable,
But all to please and sate the curious taste?
When we speak of knowing God, it must be understood with reference to man's limited powers of comprehension. God, as He really is, is far beyond man's imagination, let alone understanding. God has revealed only so much of Himself as our minds can conceive and the weakness of our nature can bear.
And the jocund rebecks sound To many a youth, and many a maid, Dancing in the checkered shade. And young and old come forth to play On a sunshine holiday.
Wisdom's self oft seeks to sweet retired solitude, where with her best nurse Contemplation, she plumes her feathers, and lets grow her wings that in the various bustle of resort were all to-ruffled, and sometimes impaired.
This having learnt, thou hast attained the sum Of wisdom; hope no higher, though all the stars Thou knew'st by name, and all th'ethereal powers, All secrets of the deep, all nature's works, Or works of God in heav'n, air, earth, or sea, And all the riches of this world enjoy'dst, And all the rule, one empire; onlyadd Deeds to thy knowledge answerable, add faith, Add virtue, patience, temperance, add love, By name to come called charity, the soul Of all the rest: then wilt thou not be loath To leave this Paradise, but shalt possess A paradise within thee, happier far.
[Rhyme is] but the invention of a barbarous age, to set off wretched matter and lame Meter; ... Not without cause therefore some both Italian and Spanish poets of prime note have rejected rhyme, ... as have also long since our best English tragedies, as... trivial and of no true musical delight; which [truly] consists only in apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another, not in the jingling sound of like endings, a fault avoided by the learned ancients both in poetry and all good oratory.