And what the people but a herd confus'd,
A miscellaneous rabble, who extol
Things vulgar, and, well weigh'd, scarce worth the praise?
They praise, and they admire, they know not what;
And know not whom, but as one leads the other;
And what delight to be by such extoll'd,
To live upon their tongues, and be their talk,
Of whom to be disprais'd were no small praise?
Implied Subjection, but requir'd with gentle sway, And by her yielded, by him best receiv'd,- Yielded with coy submission, modest pride, And sweet, reluctant, amorous delay.
And that must end us, that must be our cure: To be no more. Sad cure! For who would lose, Though full of pain, this intellectual being, Those thoughts that wander through eternity, To perish, rather, swallowed up and lost In the wide womb of uncreated night Devoid of sense and motion?
[Rhyme is] but the invention of a barbarous age, to set off wretched matter and lame Meter; ... Not without cause therefore some both Italian and Spanish poets of prime note have rejected rhyme, ... as have also long since our best English tragedies, as... trivial and of no true musical delight; which [truly] consists only in apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another, not in the jingling sound of like endings, a fault avoided by the learned ancients both in poetry and all good oratory.
O shame to men! Devil with devil damned Firm concord holds, men only disagree Of creatures rational, though under hope Of heavenly grace: and God proclaiming peace, Yet live in hatred, enmity, and strife Among themselves, and levy cruel wars, Wasting the earth, each other to destroy: As if (which might induce us to accord) Man had not hellish foes enough besides, That day and night for his destruction wait.