Wealth and poverty are seen for what they are. It begins to be seen that the poor are only they who feel poor, and poverty consists in feeling poor. The rich, as we reckon them, and among them the very rich, in a true scale would be found very indigent and ragged.
Man moves in all modes, by legs of horses, by wings of winds, by steam, by gas of balloon, by electricity, and stands on tiptoe threatening to hunt the eagle in his own element.
Always the seer is a sayer. Somehow his dream is told; somehow he publishes it with solemn joy: sometimes with pencil on canvas, sometimes with chisel on stone, sometimes in towers and aisles of granite, his soul's worship is builded; sometimes in anthems of indefinite music, but clearest and most permanent, in words.
Our friendships hurry to short and poor conclusions, because we have made them a texture of wine and dreams, instead of the toughfibre of the human heart. The laws of friendship are austere and eternal, of one web with the laws of nature and of morals.
Men do what is called a good action, as some piece of courage or charity, much as they would pay a fine in expiation of daily non-appearance on parade. Their works are done as an apology or extenuation of their living in the world. I do not wish to expiate, but to live. My life is not an apology, but a life.
Every word we speak is million-faced or convertible to an indefinite number of applications. If it were not so we could read no book. Your remark would only fit your case, not mine.
Great works of art have no more affecting lesson for us than this. They teach us to abide by our own spontaneous expression with good humored inflexibility whether the whole cry of voices is on the other side.