An isolated person requires correspondence as a means of seeing his ideas as others see them, and thus guarding against the dogmatisms and extravagances of solitary and uncorrected speculation. No man can learn to reason and appraise from a mere perusal of the writing of others. If he live not in the world, where he can observe the public at first hand and be directed toward solid reality by the force of conversation and spoken debate, then he must sharpen his discrimination and regulate his perceptive balance by an equivalent exchange of ideas in epistolary form.
Everything has to be clean and orderly when I sit down to write. I have candles going, and small objects that remind me of what I am working on, or bring me into the world of the character.
Taking the question in general, I should say, in the case of many poets, that the most important thing for them to do ... is to write as little as possible
Who is he that shall control me? Why may not I act and speak and write and think with entire freedom? What am I to the universe, or, the unvierse, what is it to me? Who hath forged the chains of wrong and right, of Opinion and Custom? And must I wear them?
I like to be challenged with language, so I start to do texts for my blogs that people can download, can spread. There is no commercial interest behind it. It's only for fun, like doing something that you really enjoy to do. I have texts that I write specifically for the internet and I put them there. I am interested in how readers also respond to the texts that I write to them.
You're going to write straight and simple and good now. That's the start.''What if I'm not straight and simple and good? Do you think I can write that way?''Write how you are but make it straight.
Like a pianist runs her fingers over the keys, I'll search my mind for what to say. Now, the poem may want you to write it. And then sometimes you see a situation and think, 'I'd like to write about that.' Those are two different ways of being approached by a poem, or approaching a poem.