Re-examine all you have been told at school or church or in any book, dismiss whatever insults your own soul; and your very flesh shall be a great poem, and have the richest fluency, not only in its words, but in the silent lines of its lips and face, and between the lashes of your eyes, and in every motion and joint of your body.
At times it has been doubtful to me if Emerson really knows or feels what Poetry is at its highest, as in the Bible, for instance, or Homer or Shakspeare. I see he covertly or plainly likes best superb verbal polish, or something old or odd
The process of reading is not a half sleep, but in the highest sense, an exercise, a gymnast's struggle: that the reader is to do something for him or herself, must be on the alert, just construct indeed the poem, argument, history, metaphysical essay--the text furnishing the hints, the clue, the start, the framework.
I believe in the flesh and the appetites, Seeing, hearing, feeling, are miracles, and each part and tag of me is a miracle. Divine am I inside and out, and I make holy whatever I touch or am touched from, The scent of these armpits aroma finer than prayer, This head more than churches, bibles, and all the creeds.
this is thy hour o soul, thy free flight into the wordless, away from books, away from art, the day erased, the lesson done, thee fully forth emerging, silent, gazing, pondering the themes thou lovest best, night, sleep, death and the stars.
I think of few heroic actions, which cannot be traced to the artistical impulse. He who does great deeds, does them from his innate sensitiveness to moral beauty.
Everybody is writing, writing, writing - worst of all, writing poetry. It'd be better if the whole tribe of the scribblers - every damned one of us - were sent off somewhere with tool chests to do some honest work.
Why should I wish to see God better than this day? I see something of God each hour of the twenty-four, and each moment then, In the faces of men and women I see God, and in my own face in the glass; I find letters from God dropped in the street, and every one is signed by God's name, And I leave them where they are, for I know that others will punctually come forever and ever.
And I will show that there is no imperfection in the present, and can be none in the future, And I will show that whatever happens to anybody it may be turn'd to beautiful results, And I will show that nothing can happen more beautiful than death, And I will thread a thread through my poems that time and events are compact, And that all the things of the universe are perfect miracles, each as profound as any.
Come lovely and soothing death, Undulate round the world, serenely arriving, arriving, In the day, in the night, to all, to each, Sooner or later, delicate death.
We arrange our lives-even the best and boldest men and women that exist, just as much as the most limited-with reference to what society conventionally rules and makes right.